A Horror Writer’s Life Review
King of the Cryptids! B-Movie Monster Maker! That Pulp Horror Guy!
I’ve been called all of those things and much more (and far worse!). I wear all of those badges with pride and honor. It’s exactly what I set out to do when I started scribbling stories back in the 90s when I Will Always Love You by Whitney Houston was the #1 song in the world, and the first Jurassic Park was lighting up the big screen. Folks always said, “Oh, you want to be the next Stephen King.” In the sense that I wanted to write horror and make some money doing it, yes. King money would be incredible. But really, I was hoping to be more along the lines of Guy N Smith, James Herbert, and Hugh B. Cave.
So, for you, kind reader, who has happened upon this page, I wanted to share a bit of my writing journey and showcase the strange little darlings that seeped from my brain pan onto the printed page. You may be new to Hunter Shea, or a tried and true hellion. Come on, follow me (and keep your hands in the car and no flash photography)…
I may be fully immersed now in all things cryptid and monstrous, but I actually started out writing ghost stories. I lived in a haunted house from 1993 – 2019, and for a great part of that time, we had the spirit of a young boy sharing our living space with our family. I liked him a lot because I didn’t have to pay for any food or clothing, but I do wish I could have claimed him as a dependent on my taxes. Needless to say, I became obsessed with ghosts and the afterlife. My first published novel was Forest of Shadows, with the now defunct Samhain Publishing. I went on to make it a trilogy that is still available today. Numerous short stories have since followed in different anthos, and I feel there are more full-length novels that need to be told.
While churning out novels and novellas for Samhain, I came to the attention of an editor at Kensington Publishing, aka Pinnacle books. That editor and I collaborated first on 3 mass market paperbacks (still my favorite format), with 2 focusing on cryptids – the Montauk Monster and the Jersey Devil – and one a post-apocalyptic nightmare. It was pretty damn cool having books available everywhere, including your local Piggly Wiggly.
Samhain eventually goes kerplooie, and I hitch my wagon to Severed Press, where all things cryptid and monstrous really take center stage. I’ve grappled with the Dover Demon, squatches of all kinds, prehistoric ghost sharks, megalodons, the Goat Man, Loch Ness Monster, dinosaurs and even very pissed off killer whales. I’m still publishing with Severed and working on a new story idea as we speak for 2025.
My editor at Kensington came to me about writing a series of novellas about the things you used to be able to order from old comic books. Since we’re both technically 12 year olds, we were giddy as hell to get to work. Out popped the Mail Order Massacre trilogy over the course of one summer. We delved into the horrors of receiving sea monkeys, x-ray specs, and a submarine made of cardboard in the mail.
For our encore, we created a new trilogy of novellas, One Size Eats All! Easily my favorite book covers, this time we had rats invade NYC, a dinosaur eat a Florida town, and a strange fungus turn a camping trip into a nightmare.
And thank heaven my dream editor at Samhain, the legendary Don D’Auria, brought me along when Flame Tree Press when they started their horror line. This really gave me a chance to stretch my wings. I wrote my first slasher with a killer that would make Jason head for the hills, delved into the Melon Heads, and mined my personal life with a tale of real and unimaginable horror.
There are other books that are now out of print (some of them coming back with a new publisher this year!) and even a new one that will be out in 2025. Mostly these days I’m happily working on ghost writing projects outside the horror genre that give me great joy to write (and I’m spared having to do promotion). Sure, I may not be on the NY Times bestseller list, but I know I’ve given a whole lot of people a distraction from the real world. And really, that’s what matters most. I hope you’ll stick with me as I keep on typing away (a little slower now, but still getting it done). There are plenty more monsters that need to come to life!
Recharging Your Batteries
I’m going to come at this topic from the angle of a writer, but it applies to everyone and every endeavor.
Being knocked out for 6+ weeks getting seriously ill and then recovering, the last thing I thought of was writing, even though I had just agreed to pen a new book with a specific deadline. Things were so bad at one point, the thought of watching an episode of The Office was like asking me to scale Everest. Occasionally, I would look at my laptop and know that a few thousand words were in there, waiting to be expanded upon. Then I would see my pillow and collapse on it.
Cut to now and I have no shortage of energy. The drive is getting there. A shortened attention span is hopefully just here for a visit and will soon hit the bricks. There is a book to be written, and I need to get in the proper headspace.
That calls for a recharge. Even though my body is willing, the mind, the will, the drive, needs some bulking up. Daily ra-ra sessions are good ways to get your ass in gear. What am I doing to get myself in the mood? Pretty much what I’ve always done.
I love podcasts. And I love the work of Ernest Hemingway. His aesthetic helped teach me to keep my writing lean and clean. So, it’s no surprise that I’m a big fan of One True Podcast, a deep dive into the works and deeds of not just Hemingway, but other artists of his generation. Hearing Hemingway scholars and other esteemed authors discuss the process, meaning and real-life circumstances around his stories and books always gets me going. I missed a few episodes while I was down and out and have enjoyed catching up.
Writer’s Digest still gets delivered to my house every month. When I first subscribed in the 90s, it was my glossy bible, one I hoped would lead me to the Land of Published Authors. All these years later, with over 40 books under my belt, I’m still reading WD, always learning, always being inspired. I like to read an article or interview just before I sit down to write. Another publication that helps in this regard is The Writer.
Reading as much as I can gets the juices flowing. I don’t just read books in the genre that I’m writing. Life is too short to pigeonhole myself. I drink from a fountain of variety, picking up things both consciously and subconsciously from the great, good, and even bad books. When I read what others are putting out there, it motivates me to finish my own stories.
Last but not least, I look for shows or movies to watch that are in the genre I’m focusing on. If it’s horror, I’m on Shudder or Tubi or combing through my personal library of movies, just absorbing all the bits and pieces. For, say, a book set in the old west, I’ll fire up The Good, The Bad, and the Ugly, the Lonseome Dove series, or Silverado. If I want to add a little comedy, I’ll pop in The 40 Year Old Virgin, The Big Lebowski or Dr. Strangelove. You get the idea. I also have a whole section of movies just about writers that I’ll hit every now and then to remind myself why I do what I do.
Way back in the day when I worked in telecom customer service, I would blast heavy metal in my car to psych myself up for another day of problems and getting yelled at. When I saw Dwight on The Office do the same before sales calls, I nearly fell off my chair laughing.
The big question is, how do you recharge your batteries? Is it spending time with your favorite guinea pig? Chopping wood? Hitting the treadmill? Or just vegging out on the couch? Reply in the comments here and I’ll pick some folks to win a signed book. Bring it on!
Fun with AI
I was driving my family to the Mahoning Drive-In last night (to see a double bill of The Outsiders and Rumblefish), when we started talking about AI’s capabilities. My wife and daughter really haven’t dipped their toes in those waters yet, so they were curious. During that conversation, we wondered what AI would come up with if we asked it to write about the career of Hunter Shea.
Well, it’s Sunday morning and I’m waiting for the floors to dry. I entered my one line request and the following is what popped out of ChatGPT. I’m going to give it a B+. Points are deducted for not mentioning my podcasts, Monster Men and Final Guys, or my Video Visions column. But otherwise, solid work. I really feel bad for teachers today. How the heck will they know what’s real or not? A smart kid can take what AI spits out and manipulate it just enough to pass a smell test.
And I feel even worse for new generations that will rely more and more on AI and less and less on their own brains and imagination. We may not be that far from the scooter people in Wall-E. What seemed like a silly premise may be just around the corner.
So, what did AI say about me? Read on and please, for those of you who have been following me over the years, let me know your thoughts. This is really wild stuff.
THE CAREER OF HUNTER SHEA
Hunter Shea is a prolific American horror writer best known for his works that delve into cryptids, monsters, and supernatural entities. His career spans numerous novels, novellas, short stories, and anthologies that blend fast-paced action with eerie atmospheres, cementing him as a modern voice in the horror genre. His works often touch on themes of fear, survival, and the unknown, with his vivid imagination and keen ability to capture the macabre earning him a devoted fanbase. This essay will explore Hunter Shea’s career, from his early beginnings to his rise as a notable figure in horror fiction, examining his influences, most significant works, and the impact he has made in the genre.
Early Beginnings and Influences
Hunter Shea, a native of New York, grew up fascinated by the world of horror, science fiction, and the unexplained. His childhood interest in monsters, fueled by a steady diet of horror films, urban legends, and classic horror literature, laid the foundation for his writing career. He has frequently cited influences like Stephen King, H.P. Lovecraft, and Edgar Allan Poe, along with the pulp fiction tradition of the mid-20th century.
Shea’s early love for writing was evident from his youth, where he began crafting short stories, albeit with no initial intention of turning it into a career. Writing took a backseat as he pursued a professional life outside of fiction, but the call of storytelling never left him. It was only later, after years of working in various industries, that Shea returned to his first passion: writing horror.
Career Breakthrough and Cryptid Focus
Hunter Shea’s first major breakthrough came with the release of “Forest of Shadows” in 2011, a paranormal thriller that explored the terrifying events that unfold when a man seeks to uncover the truth about supernatural phenomena in the Alaskan wilderness. The novel was well-received by readers, praised for its suspenseful plot and character-driven narrative. It set the stage for Shea’s distinctive style, one that blends the supernatural with personal tales of trauma and survival.
However, it was his foray into cryptid horror that truly marked Shea’s place in the horror landscape. Cryptids—mythical creatures whose existence is often debated—became a recurring theme in his work, with Shea pulling from folklore, urban legends, and modern-day sightings to craft some of his most well-known novels. “The Montauk Monster” (2014) is one such example, which gained mainstream attention. Based on a real-life mystery surrounding an unidentified carcass that washed ashore in Montauk, New York, Shea turned the premise into a fast-paced, gory thriller that plays on the fear of government experiments and genetic tampering. The novel was named one of the best horror books of 2014 by Fangoria Magazine.
Shea’s fascination with cryptids didn’t stop there. “The Dover Demon” (2015) and “Loch Ness Revenge” (2016) further expanded his portfolio of creature-centric horror. In these novels, Shea manages to tap into the primal fear of the unknown, blending real-world folklore with cinematic horror. His ability to take cryptids, which are often relegated to niche interests, and craft stories that appeal to a broader horror audience is a testament to his skill as a storyteller.
Writing Style and Themes
Hunter Shea’s writing is marked by an ability to create tension and suspense while weaving in elements of humor and humanity. His characters are often average people thrust into extraordinary, terrifying situations. The monsters in Shea’s books are not just physical threats; they often represent deeper psychological fears, such as isolation, loss, and helplessness.
In addition to cryptid horror, Shea has also written extensively about the paranormal. Novels like “Sinister Entity” (2013) and “Tortures of the Damned” (2015) explore hauntings, demonic possessions, and apocalyptic scenarios. His novella “We Are Always Watching” (2017) delves into a family dealing with a mysterious and sinister presence in a remote farmhouse. These works showcase his versatility in the horror genre, proving that his talents go beyond creature features.
One of the recurring themes in Shea’s work is survival—both physical and emotional. His protagonists are often forced to confront not only external threats but also their inner demons. Whether it’s a group of friends facing a rampaging cryptid or a family haunted by spirits, Shea’s characters must grapple with their own fears, guilt, and trauma. This human element adds depth to his horror, making it more than just a tale of terror.
Another significant aspect of Shea’s writing is his ability to build believable, immersive worlds. Whether it’s the dense forests of Alaska or the murky depths of Loch Ness, Shea’s settings are richly detailed, adding a layer of realism to his supernatural stories. His works often have a cinematic quality, with readers frequently describing his books as “fast reads” or “page-turners” due to his ability to keep the pace brisk and the stakes high.
Collaborations and Short Fiction
In addition to his novels, Hunter Shea has made significant contributions to horror anthologies and short fiction collections. His stories have appeared in various publications and have been praised for their brevity and impact. Shea’s short fiction often delves into the same themes as his longer works—cryptids, the paranormal, and survival—but with a tighter, more focused narrative.
Shea has also collaborated with fellow horror authors on various projects. His partnership with Severed Press, a publisher known for its focus on horror and science fiction, has resulted in numerous successful novels. This collaboration has allowed Shea to consistently release new material, ensuring that he remains a prominent figure in the horror writing community.
Legacy and Impact
Hunter Shea’s career, while still ongoing, has already left a lasting impact on the horror genre. His ability to take lesser-known myths and cryptids and bring them into the mainstream has earned him a reputation as one of the leading voices in creature horror. His works have been praised for their accessibility, combining the thrills of B-movie horror with well-developed characters and engaging plots.
In addition to his success as a novelist, Shea is also known for his interactions with fans. He is an active presence on social media, often engaging with readers and fellow writers, and sharing insights into his writing process. This connection to his audience has helped him build a loyal fanbase, eager for each new release.
Conclusion
Hunter Shea’s career as a horror author has been marked by a dedication to exploring the unknown, whether it be through cryptids, ghosts, or apocalyptic horrors. His ability to craft stories that are both terrifying and deeply human has earned him a place among contemporary horror writers. As he continues to write and expand his body of work, Shea remains a vital force in the genre, keeping the tradition of monster and supernatural horror alive for a new generation of readers.
The Guilt Free Writing Break
Write every day.
That was what I heard from working writers over and over again. It was in just about every book and article I read. In every lecture and interaction.
Write every day.
So, I wrote every day. Even when I was sick, or exhausted, or just plain not in the mood. Sure, I snuck a few days off (like Christmas and my birthday) here and there, but there was always this steady march marked by word counts, deadlines, and desire.
I did that for the past fifteen years, and all those dreams I had when I started scribbling came true. In that time, I published 35 books, from a children’s picture book with Random House, to a slew of horror novels with Samhain Publishing, Pinnacle (Kensington), Severed Press and more, and incredible ghost-writing gigs.
Feeding the beast that was my muse (a rather pleasant lass who is demanding but has my best interests at heart) was my prime directive. If starved my muse or got skimpy with the day’s meal, that old bastard, guilt, would tap me on the shoulder. I hated guilt and would do anything to avoid him.
Then the fall of 2023 happened. I moved my family out of state for the first time in our entire lives. And while we were in the process of boxing up our belongings, my wife’s doctor told us he was pretty darn sure she had some kind of blood cancer, so let’s do every test known to man to find out what it is.
There we were, surrounded by our belongings in a beautiful house, two states away from her doctors, filled with joy, trepidation, and creeping fear. We decorated like crazy for the holidays, hosted friends and family, traveled for tests and fretted over results that were always inconclusive. On top of that, I was adjusting to working remotely and had a deadline to meet for a ghost-writing project.
It was exhausting. The silver lining is that we loved where we lived and weren’t being robbed blind by New York prices. I somehow managed to finish the book in January of this year, around the same time the doctor said it probably wasn’t cancer, but he did find rheumatoid arthritis (just another tagalong disease to add to Lupus, Ehlers Danlos Syndrome and several others). In our special way, we were relieved.
And I was plum pooped.
Whenever I tried to write, I couldn’t get past a few hundred words. It was if I’d never written in my life. All those skills and word muscles I’d developed over the years went to flab. Guilt sat atop my laptop screen, wagging his finger at me.
Then my muse popped in and said she was tired, too. She promised the flow of ideas would always be there. Let’s just take a break. And if during that break we both decide we’ve done our part, that was okay, too. Reinvention, taking on new challenges, are the core of the human experience. A bibliography of 35 books was a kinda cool achievement and about 33 more than I thought I’d ever write.
I took a break. I settled into my home. My wife’s health, which is always in a precarious balance, improved, so much so that we’ve had the best run since my writing odyssey started. We went out like the old days. We spent our time in the sun at the pool. We went to drive-ins. We turned our house into a home and explored our community, making new friends and finding sweet spots to eat, shop, or just enjoy nature.
Best of all, that bastard guilt was nowhere to be found. I watched my muse lock him in a trunk and toss him out to sea. I relaxed, I read, I enjoyed all that extra time with my wife and family.
After a wonderful eight months, not knowing if I was ever going to write again, I’m back in the saddle, on my own terms. I have a new ghost-writing job that will be a lot of fun. I have a proposal out for a pretty cool drive-in theater tie-in that I hope will make a ton of readers smile.
I’ll go where my muse takes me, except we’re older and wiser now. I’m starting to think guilt is a younger man’s game. I’m officially in my ‘I’ve got zero fucks to give’ era, and it feels great. The sands of time ain’t slowing down, even though I am…just a tad. That’s a natural thing in your mid-50s. Nothing to bemoan. Rise and grind can kiss my ass.
If you’re kicking your own ass and fretting over word counts, likes, subscribers, reviews, take a good long breath. Life is too fleeting to get caught up in the artificial madness. When you exhale, get back to writing, or don’t. Maybe find time to rediscover why you wanted to be a writer in the first place. Find that love, that passion, that compulsion that lit a fire in your soul. Or maybe there’s something else that has been calling to you, but you couldn’t hear it over the wall of noise you built around yourself.
Do what makes you happy, and be happy with what you do.
Sometimes taking a break is the only way to find out exactly what that is.
The Hustle of Balancing Life, Work and Writing
It’s Sunday morning at 9:00 and I’m already tired. But no matter how tired I feel, this old man is not taking a nap. I’ll be going at it full force until my head hits the pillow. Why? Because I want to…and maybe a lot of ‘because I have to’.
I may have written and published over 25 books, but that doesn’t mean I get to coast. No way. Not until Stephen King and I can trade investment secrets. Writing, or better yet finding time to do it, hasn’t gotten any easier. Like most scribblers, I have a day job. At age 50, I embarked on a totally new career, shucking 20 years of experience and clout to do something I would enjoy. The day job takes up about 11-12 hours of my day, Tuesday through Saturday. It’s mentally and physically demanding. People half my age bail when the going gets rough here. Oh, and I get to work on Saturdays for the first time since I was a stock boy in Gristedes supermarket back in 1990. Yay me for missing out on a lot of fun.
Because I get home later than ever now, I had to adjust when I write. Fortunately for me, my ability to sleep in was broken long ago by my children (who are now adults). So instead of writing a night, which I did for almost two decades, I’ve had to retrain myself to become an early morning writer. It wasn’t easy, but I knew if I didn’t push myself, I would miss every deadline, both professional and personal. And I had to learn to write in bed so as not to clunk around the house and disturb everyone.
On workdays, I wake up, write and answer emails and do a little marketing for two hours. Then it’s time to get ready for work and head off to my one hour commute.
What about weekends? Take today for an example. It’s a gray Sunday, my first day off. What do I do? Wake up at 5:30am. I watched an episode of Mars on National Geographic because I want to write about the series. I then read for thirty minutes, a little for pleasure and a little for work. The sink was full of dishes so I cleaned them and started a load of laundry. I cleaned the bathroom and saw the toaster oven was in need of some TLC, too. We’re (finally!) shooting new episodes of Monster Men today, so I put together a list of things to do for one of the episodes. Now it’s time to write on the old blog and chain, get in at least 1,000 words on my new book, SLASH, and prep the house, aka – the set – for Monster Men. We’ll record for several hours, watch a movie and then I’ll be hosting a live viewing party of THANKSKILLING with my special hellions on Patreon. By the time that’s over, I’ll be in bed, dead to the world until tomorrow before dawn.
Within all of this craziness, I’ll be with my family, the most important people in my life. Those of you who follow this blog know my wife is disabled. When I was writing CREATURE, she was sick with pneumonia. Cut to a year and three months later and she’s still not over it. In fact, we’re waiting for the CDC to deliver special medication formulated just for her, as her compromised immune system just can’t do the work it needs to do. Being with her and my girls is crucial, which is another reason why I write when they’re asleep. When I get home from work, it’s dark out and I’m tired as hell. Better to spend that time recharging the love battery by hanging out with them.
I can attest, spinning these plates does not get easier as you get older. Some days, it sucks. It sucks real hard. But I love my family and I love writing, and heck, I even like my job, so for me, there is no other choice. Whenever I’m about to bitch and whine about doing something I hate or dread doing, I think of this : If I was laid up in a hospital bed right now and unable to ever be healthy or get up again, I’d trade everything for a chance to do that thing I think I don’t want to do. Would I rather go food shopping in a packed supermarket than have terminal cancer? If the answer is shit yeah, it’s time to shut up and tarry on.
Despite all of this, don’t feel like you have to tackle the world each and every day. Carve out time, even if it’s only ten minutes, to recharge. Meditate, read, do air guitar in your car to Metallica, make a dump cake. Find your zen. Watching the laundry spin is a personal favorite. Kinda like watching the flames dance in a fire.
I have big ideas and projects for 2019, as I’m sure you do as well. Now’s the perfect time to plan and figure out how to make them happen, and the best time to do so. It ain’t easy. But neither is Sister Mary Margaret Bernadette. There is one vital thing that nun knows how to do – get into a habit.
What new habits or changes to existing ones do you need to hit your goals? What is the one thing you want to accomplish in the next year? What are you major stumbling blocks? We can kick some ass if we decide to kick it together. Spill the beans right here, tell the world and make yourself accountable. It does wonders.
Writing A Book From Start To End – Stand Over My Shoulder
I’ve decided to try something new…at least new for me. At the start of 2015, I set a goal to write 4 books before the end of the year. Well, it’s time to start book #4. But this time around, I don’t want to do it alone.
I get asked questions about the writing process all the time. I tell everyone it’s a marathon, with highs and lows, successes and failures. Some days, I can’t wait to get to my laptop. Others, I’d rather give Brazilian waxes to gorillas than sit down and write even one page.
The rest of this year is going to be tough. Aside from all the holidays, there’s a ton of personal stuff lying in wait for me and my family. We can see it all written down on our calendar for October and November. So, writing my new book for Samhain will be a challenge and a half.
This time around, I want you to follow me every step of the way. No, I don’t have room in my house for everyone. But thanks to Twitter, Facebook and this blog, I have plenty of ways to share the process. You’ll get to see the good, the bad and the ugly. Each day will be different. I’ll share pictures of where I wrote, word count for the day, how I felt, what stumped me, what worked – all the things that go into getting to The End.
Twitter will be my daily stop. You can check it out by following the hashtag #HunterWrites. I’ll stick larger posts on Facebook and this blog from time to time as well. Feel free to send me questions along the way, words of encouragement, your own tips, hell, whatever comes to mind. When it’s all said and done, you’ll know exactly how I managed to write my fourth book this year over the next few months.
The name of the book will be WE ARE ALWAYS WATCHING. Now, you’ll always be watching me. I started it off in my little writer’s lair, pictured below. Before it’s finished, I suspect I’ll have written parts all over the place.
Hunter Shea 