Ever since I decided to become a writer, I’ve dreamed about what it would be like to pursue my passion full time. If I can write 2-3 books a year while juggling a day job, how much could I get done if I had all day to write?
Well, that day has come. After a divorce with the old day job a month ago, I became a full time writer, though without the full time pay. The adjustment of working for 30 years and suddenly not working took some time getting used to. So, what did I do to get through it?
I wrote. Writing has always been my private island, the perfect escape, the place where reality never gets past the bouncer. As the shock wore off, the time I devoted to writing increased. I actually looked at this as a needed break so I can devote proper attention to the slew of projects I had agreed to take on.
Now it’s time to reflect. After a month, what have I accomplished? Well, I have 3 novellas that I was scheduled to write for an as yet unnamed publisher later this summer. Now that I had time, I set my ass down to start the first. Draft #1 was completed in two weeks. It’s now resting in my laptop. You need to give your story and yourself time to breathe before jumping in to the editing process. Or at least I do. Rewrites start in a few days.
At the same time, I started working on my next monster book for Severed Press. I have about 10,000 words to go before I can type THE END on draft #1 of that puppy. I figure that’ll be done around July 7th.
Then my family and I head to house-sit for a friend up in the country where I’ll finally finish the novel I started last fall, WE ARE ALWAYS WATCHING. There are literally just a couple of chapters to go, then I have to do a ton of rewrites because the story kept changing as it went along. This is a dark one. No monsters. Nothing paranormal. Just people at their strangest and worst on a Pennsylvania farm.
After that, I have a special project I’m going to write and self-publish, followed by the other two novellas I’m still contracted to write this year. And Lord only knows what else I’ll agree to along the way. Let’s just say this chapter in my life will be marked with a boom in my creative output.
I’m also catching up on my TBR pile and getting new books from the library every 3 days. I’ve decided to re-read everything Hemingway for the rest of the summer. Then there’s more time to spend with my family at independent league baseball games, movies and swimming at the pools and beaches nearby. My old day job actually gave me a gift – my first summer off since I graduated high school! I don’t plan to waste it.
I’m a reformed editor stalker. At least that’s what the state shrink has declared in my case.
Actually, following the career of my dream editor, Don D’Auria, turned out to be a pretty smart career move. When I talk to people about writing and getting published, I encourage this kind of behavior. And if you want to be a horror writer, Don is the man you should make a point to follow.
When I was a wanna be writer and tried and true reader, I hoovered horror novels like they were dust bunnies. The 80’s was an absolute horror boom, with tons of great and oodles of bad books, all waiting for my little eyeballs. Things slowed down a bit in the early 90’s. Finding books by authors other than King, Koontz, Barker and Saul was like searching for the holy grail or my last shaker of salt.
And then came Don (you can sing that to the theme from Maude). The first time I spotted a Leisure paperback in the horror section of my local bookstore (yes, there were still shelves dedicated to horror in the mid-90’s), I fell in love. In the front, or back, of all these wonderful books, I saw a common denominator – they all thanked their editor, this mythical dude named Don D’Auria. I wondered, who is this guy who’s bringing me great works by writers like Richard Laymon, Jack Ketchum, Brian Keene, Tim Lebbon, Sephera Giron, Hugh B. Cave, Douglas Clegg, Graham Masterson, John Everson, Bryan Smith, Tim Waggoner and so many more? Talk about an eye for talent! As far as I was concerned, Don had an almost supernatural ability to find the brightest and the best, the old and the new.
When I set out to write my own horror novel, I did so with the express intention to write it for Don and Don only. I sent it to him at Leisure and waited…for years. Eventually, he offered me a contract with Leisure. Alas, the company imploded as I was signing, so I waited (while standing on the ledge of a tall building) until Don moved to Samhain, where he took me along for the ride. It’s been beyond my wildest expectations ever since.
I remember the first time I met Don face to face at a Horrorfind convention. The Samhain authors were making their con debut at a booth right where attendees checked in. Man, was I nervous. I was expecting this imposing Max Perkins character to come waltzing in. I did a lot of dry swallowing waiting for him to show. Turns out, he was one of the most down to earth, unassuming guys I’d ever met. I still couldn’t shake my fan boy apprehension during that con. He was the guy who rescued me from the slush pile. I owed him my entire budding career!
We discovered that we lived close to one another during that con, and made it a point to meet for drinks one night. That was many nights and martinis/beers ago. Don isn’t just my editor. He’s a true friend, a brother from another mother who grew up on Chiller Theatre and Famous Monsters Magazine. We’re two kids who get to play on the same field as the greats who shaped our passion. Sometimes, while we’re talking about Vincent Price movies or getting Barbara Crampton’s autograph, I feel like I have to pinch myself. How many people get to work with their dream editor? And of those, how many can call that person a true friend? I’m one lucky bastard.
As Samhain turns 10 this month, I want to thank Don for all he’s done for not just me, but all the lost boys and girls of the horror line. To show my undying thanks, I even tattooed their logo on my arm. Don’s portrait is next! 🙂
A huge thanks to author Matt Manochio who boldly explored the world of marketing and selling his book and lived to tell the tale…and provide invaluable information!
How many books do I need to sell to make a bestsellers list?
Every author at some point has Googled a variation of that question. Because let’s face it: most of us want to see our name on The New York Times bestsellers list right above or below whichever 50 Shades book is befouling that list, and there’s no shame in admitting that. (Yes, technically it would be nice to be #1, but you’ve got to start somewhere.)
So how do I get on the bestsellers list without cashing out my 401k and buying 9,000 copies of my book? (I read somewhere that 9,000 is the number of books you’d need to sell in a week to get on the NYT list. Whether that’s true, I have no idea. God bless what you read on the Internet.)
My point is you need people to buy your book. And for a…
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