Don’t you love paranormal protagonists, like Koontz’s Odd Thomas? I do. Any fictional character with paranormal powers—abilities that most readers consider supernatural—moves your story into one of the speculative genres. This could be sci-fi, fantasy, horror, paranormal, or magic realism. Actually, you can blend the paranormal with any genre, as I do in DEATH PERCEPTION, which is a supernatural crime cake iced with horror and sprinkled with dark humor.
In fantasy, a character’s abilities may be a given, established in your story’s genre ruleset from the very start. For instance, Tolkien’s Gandalf is a wizard, and there’s no explanation for him. In The Wizard of Oz, monkeys fly, and that’s that.
Other stories with a mooring in everyday reality require that a character’s supernatural abilities be explained. There must be a reason why the character can do the things she does, and this explanation encourages readers to suspend their disbelief. We often see this technique in books and shows that put the character through some accident or experience (in backstory or the present) that changes him and grants him supernormal powers.
It happens to Johnny Smith in Stephen King’s The Dead Zone, when he’s injured in an accident and revives from a coma after five years. It happens to superheroes (or antiheroes): Dr. Bruce Banner becomes the Hulk after he’s accidentally exposed to the blast of a gamma bomb he invented. The same for Peter Parker/Spiderman. Or Dr. Jekyll and Mr. Hyde (it works for villains too).
In DEATH PERCEPTION, Kennet has suffered childhood abuse, making him hypersensitive to changes in mood energy. He’s also encountered an old Pentecostal prophetess, who lays her hands on him, prophesies his future, and imparts a gift to him.
Most characters who develop paranormal abilities go through a period of denial when they refuse to believe or accept their new faculties. That is, until they encounter a situation where their powers must be used, giving them no choice but to accept them, usually because a loved one is endangered.
Kennet discovers his psychic abilities in his late teens when he toasts marshmallows over the ashes of someone he’s just cremated. Later, after a near-death experience, his mediumistic abilities flower, enabling him to see and hear the dead—and solve murders. Kennet comes by his abilities both naturally through his past and supernaturally through the ministry of the prophetess. Through an accidental consciousness-expanding event, his prescient inklings develop dramatically into something useful in avenging victimized ghosts, a call he must accept based on what’s most important to him.
Whether a story is based in the realm of fantasy or the real world, the writer must establish the rules and then stick with them throughout the story. This entails giving the character not only extraordinary strengths (with limits), but human weaknesses too. If your characters have psychic abilities, keep them real and relatable, and readers will follow your story to the end.
DEATH PERCEPTION is available in trade paperback, Kindle (.mobi) and Nook (.epub) at http://leeallenhoward.com/death-perception/.
Lee Allen Howard writes horror, dark fantasy, and supernatural crime. He’s been a professional writer and editor of both fiction and nonfiction since 1985. His publications include The Sixth Seed, Desperate Spirits, Night Monsters, “Mama Said,” “Stray,” and DEATH PERCEPTION, available in various formats at http://leeallenhoward.com.
You can keep in touch with Lee on his Facebook author page: http://www.facebook.com/pages/Lee-Allen-Howard-author/117844011639457. Follow him on Twitter @LeeAllenHoward.