Fear and Writing in Horror Land
It’s been a dog’s age, and then some, since I last jabbered on about the subject of writing. Especially writing horror. But recently, someone was shocked when I told them I wasn’t afraid of cemeteries. She said, “Well, that makes sense. You do write scary stories.” The truth is, I’ve never been scared of cemeteries. And I know exactly why. For the first 8 years of my life, I lived across the street from the famous Woodlawn Cemetery in the Bronx. Look out the window, there are rows of headstones. Playing punch ball on the street, the gates and cemetery wall were our backdrop. I had a grandmother who thought cemeteries were the most peaceful places on earth. She’d pack picnic lunches so we could spend the day at a cemetery. And you know what? She was right! I love the beauty of cemeteries to this day. I don’t see them as a spooky place or somewhere to go running around looking for ghosts. In most cases, they are well-tended nature preserves – just with dead bodies silently decomposing under your feet. I even made Woodlawn Cemetery the setting for a story in my Jessica Backman series way back when because I wanted to encapsulate a period of my childhood within the realm of that ‘universe’.
So no, you’ll never find me quaking at the thought of going to a cemetery, even on a foggy night with coyotes cackling in the darkness.
My dad, bless his heart, took me to see every scary movie that hit the movie theaters or drive-ins by us because he realized that at a young age (maybe too young), I was more fascinated than terrified of the on-screen horrors. To that end, I LOVED monsters (and still do). From the bevy of Universal monsters to giant ants in Them!, Godzilla, killer rats in Food of the Gods and anything made by the legendary Bert I Gordon, I couldn’t get enough. One of my favorite double features my father ever took me to was a double bill of Jaws and Grizzly, at the Bainbridge Theater in the Bronx when I was about eight years old. I got to see a nekkid lady skinny dipping, Quint eaten alive by a shark, and someone’s head lopped off by the giant paw of a very angry grizzly bear. I left that old, and now demolished, theater with my little brain abuzz. Fear was out of the question. I wanted more!

Monsters aside, I didn’t flinch during The Exorcist or the demonic madness of movies like The Sentinel. I understood from an early age that everything I saw on the screen was make believe. Giant grasshoppers were not going to chase me from school. Odds are, I wasn’t going to get eaten by a shark at Orchard Beach, also in the Bronx.
All that being said, there was one category of horror that did, and still does, chill me to my marrow. And that is anything involving home invasions or serial killers. Because home invasions happen all the time. Serial killers known and unknown are out there right now, plying their nasty trade. Growing up in the 70s, crime was a major concern in New York. I would jump from bead at the slightest sound at night, my heart pounding in my throat. I just knew someone was breaking into our apartment, and we were all moments away from being killed. Things didn’t get better when we moved from the Bronx to a house in Yonkers (the next town over). I don’t think I ever got used to the sounds in that house. And guess what, I was a kid terrified of the Son of Sam, because he was in Yonkers! When we played ball outside, we always had a lookout to warn us of anything or anyone that looked suspicious. Think of that. As much fun as we had being outside and playing, we were terrified to our cores enough to set up a lookout. This was all after doing nuclear bomb drills with air raid sirens blaring in school. Ah, the good old days. If Russia wasn’t going to blow us to hades, some random psycho would break into our homes and upend our lives.
My wife, like so many others, is addicted to true crime shows and murder docs. I can’t bring myself to watch more than five minutes. Too real. I read and watch movies and television for the same reason I write – to escape the real. Escapism is my oasis in a world that has always been mad. Give me a bigfoot gone berserk over John Wayne Gayce anyday.
Now, looking back after having written almost 50 books, I don’t have stories about serial killers or home invasions. Although, I could argue that my paranormal books that deal with unexplainable, intrusive phenomena are at least a kissing cousin of home invasion tales. They say, whoever they are, that you should put your fears on the page. I say, nah, you don’t. I mean, why live with the thing that scares the crap out of you for months to a year or more? That’s not being very nice to yourself. And it won’t make you a stronger person/writer. That’s like that old, dumb advice to punch your bully back and he/she will back right down. Been there, did that, didn’t work. The return punches were not worth the effort.
Like all writing advice, everything I just said is as worthwhile as it is worthless. Ultimately, you have to do what works best for YOU. No two writers are the same, and no piece of advice is universal (well, other than, finish the book!). I prefer to write about the things that thrilled me as a child. I love the absurd, the impossible, and the strange. The real-life stuff, I see that on the news, which is why I avoid it like the plague.
The question is, what scares you? Are you game to bleed your fear all over the page? If you are, go for it. Or, if you’re like me, dream up ways to make Bigfoot battle the Mothman in a fight to the death. There is no one size fits all. Run to your fear or from it. Life is short and we all have just so many stories to tell until we become a story to be told. Make the ones you tell count, and try not to torture yourself while doing it.

Must Haves for Horror Fans – Part 1
OK horror hounds, it’s time for some basic training. I understand there are a lot of new recruits out there, and even some lifers, that need the foundation to become a true horror aficionado. Now, put your chainsaws and machetes down and listen up. I’m going to give you a list of books and authors you must know inside and out. Are you hearing me Private Pyle?
Decades later and I still obssess over Full Metal Jacket. I’m not going to say you look like 50 pounds of chewed bubble gum. I won’t raise my voice. I’m simply here to open your horror eyes a little wider. Shall we begin?
This is what you should read to see how a master works their trade. I’m only leaving out Stephen King because he’s soooo obvious.
Algernon Blackwood. Get your hands on everything he’s ever done. Read it at night and enjoy your nightmares.
M.R. James. I can’t count how many horror writers cite him as an inspiration.
Richard Matheson. He’s the author of I Am Legend, Hell House, the best Twilight Zone episodes and Kolchak, The Night Stalker. “Nuff said.
The Haunting of Hill House by Shirley Jackson. Maybe the scareist haunted house novel ever written.
The Store by Bentley Little. So close to the truth that it’s terrifying.
The Girl Next Door by Jack Ketchum. Gut wrenching, brutal, incredibly sad and real. A master work. The Monster Men reviewed it on our podcast. You can check it out here.
The Magic Cottage by James Herbert. I’m always astounded by how many folks in America have never heard of Herbert. He’s only like the Stephen King of the UK. You can’t lose with any of his books, but I highly suggest you start with this one. He just passed away last month, so cherish each book as you tread down the path of discovery.
Curfew by Phil Rickman. Another UK import, Rickman’s books can be hard to find, but when you do, treasure them.
Richar Laymon. He was taken from us way too soon, but thankfully he was prolific. Almost every up and coming horror super star waxes poetic about his books. My favorites are Bite and One Rainy Night.
Ghoul by Brian Keene. Yes, Keene may be responsible for resurrecting the zombie genre, but Ghoul is still my favorite.
Oh no, I’m not stopping at 10. My list goes to 11.
Boy’s Life by Robert McCammon. Words can’t express how great this book is.
You have your list, now hit the bookshelves. Hard. Stay tuned for part 2 where I highlight movies.
And if there are any books/authors you feel should be on the list, speak now or forever hold your peace.
Dismissed!
Writing What You Love & A Case For Keeping Your Day Job
We all want to do what we love for a living, right? I know I do. They say (and we all know who they are) that if you choose a job you love, you’ll never have to work a day in your life. I think I might make a poster of that, complete with a picture of my cat sleeping on the radiator.
Writers are often asked, especially when they are starting out, if they plan to make writing a full time career. You know, quit your stultifying 9 to 5 job and live off the fat of the advance and royalty checks that will shower upon you like rain in Dublin. Naturally, we’d all love to do this. That dream is right up there with winning the lottery. Getting your first book deal feels even harder than hitting Lotto.
The truth is, only a small percentage of authors can rely on what they bring in from their writing as their sole source of income. Next time you go to your bookstore at say, 11am on a Tuesday, pay close attention to all of the names you see on the spines of the books. The vast majority of those folks are slaving away at some office while you’re out browsing.
Where’s the glamour in that? What’s the point of struggling to get published if I still have to clock in every day and stare at my cubicle walls?
I’m here to tell you that there is an upside to this. When we commit to being a writer, we’re basically juggling two full time jobs. The day job pays the bills and hopefully gives you some sense of fulfillment and accomplishment. Writing feeds the soul and puts you in touch with your passion. Keeping up with both jobs also gives you freedom and peace of mind. That’s right, I said you’ll have more freedom, even within your cloth covered cube!
What’s this upside I seem so hellbent to profess?
• Publishers don’t give writers benefit plans or retirement savings. Anyone over 30 with kids will understand the importance of this. In fact, a lot of people consider this more important than salary when considering a job.
• Your day job gives you a steady paycheck. That means you can plan your finances, count on buying groceries every week and paying the rent every month. There are no cash dry spells when you have a day job.
• Because you don’t depend on writing to keep you and your family from living in a cardboard box, you have the FREEDOM to write about the things you love and are passionate about. You take on assignments and book projects that you want to do, not just ones that you need to do in order to survive.
I write horror. Unless your last name is King, Barker, Koontz or a handful of others, you’re confined to being a midlist author, which means the financial payoff will not have you putting a down payment on that pretty Jaguar.
Of the few horror writers I know who make writing their only career, I see their stress and have been told by more than one to treasure my day job. It’s stressful when you have to produce a prodigious output and hope that publishers will accept it and pay something worth the effort. There are no guarantees. Writing in genres they’d never read in becomes a necessity. Did I mention the stress?
Look, we all should dare to dream about landing that game changing book or movie deal that will put our 9 to 5 days behind us. It’s the carrot that keeps us chasing the stick. But don’t fret that you’re on published book #7 and still saying hi to your boss every morning. When you go home at night, you get to dive into the world you love most, and you get recognized and rewarded for it. Not too shabby.
Now, what’s your opinion? Do you think I’m crazy to embrace my day job or spot on? Have you managed to become a full time writer? Share a war story.
Staring Down The End
Before I talk about the topic du jour, I wanted to let you all know that there’s some exciting news on the near horizon that I hope to share in the coming weeks. I’ll give you a hint. I’ve been writing quite a few stories for various anthologies and things are lining up quite nicely. Over the holidays, I also finished the first draft of a follow up to Forest of Shadows and I’m putting the finishing touches on an adventure series for kids.
Yet, I still found time to watch the entire first 2 seasons of Justified, which I now declare the best show on TV. (American Horror Story and The Walking Dead come in a close second) Raylen Givens is a complete, all American badass.
As I look up at my Vampirella calendar, I can’t believe the Super Bowl is already here.
I was out and about today picking up food, beer and selecting some damn good cigars for the big day’s festivities. As a Seahawks fan, I have no skin in the game, but you can’t beat a day of drinking and eating with family and friends. And no, I don’t live in Seattle or the west coast, for that matter. I grew up a Steve Largent fan, plus the helmets were bitchin’.
Last but far from least, the Monster Men tackle the devil, possession, exorcism and a review of The Devil Inside in our 13th episode. Check it out, but make sure you hold onto your rosary beads.
OK, on with the show….
I’m going to attack this particular subject from the angle of a horror writer, but this applies to anyone who creates something, whether it be a book, painting, video game, whatever, and gives it up to the world to see and, inevitably, critique. As human beings, we all just want to be loved. That’s why the Beatles are the greatest group of all time. They understood. When we create something from our soul or gray matter if you want to be pragmatic, putting it out for general consumption is a lot like streaking through the quad at lunch time. (Feel free to chant Frank the Tank at this point.) You’re utterly exposed, your stomach cramping, waiting for the worst, and odds are, there’s some shrinkage.
Every writer needs a very thick skin. (Gift idea for those of you looking to get the person who has everything!)You have to absorb rejection like a Shamwow. You have to work with agents and editors as they pick apart your words, fine tuning it until it’s something not only readable, but saleable. And when you’re done putting a spit shine to your book or story or poem, presto!, it goes out into the great beyond, available for all to read.
From that point on, all that’s left is the feedback, reviews, tweets, posts, and on and on. You pray that it will all be good, but you know deep down you can’t please everyone. There will always be people who don’t like your book. Hell, some will even hate it and ask Jesus in their prayers why He ever let you think you could become a writer in the first place.
And this is exactly what stops a lot of aspiring writers dead in their tracks. Sure, some of them will say they just need to give their manuscript a little tweak (possibly the 132nd revision in what seems as many years), but deep down, they’re terrified of what people will say. So they never get to THE END, constantly worrying that it’s just not good enough for everyone. Some folks will even change their theme or message, worried that it may offend some or cause even the slightest controversy. Any writer will tell you, you can literally tweak a work for the rest of your life. It’s up to you to end it.
For those of you who are struggling to face this fear, the only thing I can advise is to just stare it down with your best Raylen Givens squinty eyes and tell it to get lost. Even the very best writers have their critics. I think we can all agree that Stephen King is at the top of the horror game, and he gets a healthy dose of crappy, some downright nasty, reviews. Whether it’s love or hate, it’s an emotion, and isn’t that really what art is about; evoking an emotional response? So let it rip, scatter it to the winds of public opinion, and get to work on your next book. The End is just six key strokes away.
Interview with new author, Scott Doornbosch
This is a wonderful interview with a new author who is facing some very tough times right in the midst of the excitement of publishing his first novel. Please read his interview, conducted by author Joe Konrath, and support the book! If his story doesn’t touch your heart, nothing else will.
http://jakonrath.blogspot.com/2011/06/interview-with-scott-doornbosch.html
Great Novels Not By King or Koontz – Scott Nicholson’s They Hunger
If you’re not reading Scott Nicholson’s books, go to Amazon, B&N, wherever, and rectify that. You can’t be a fan of modern horror if you don’t have a few Nicholson books under your belt. A good place to start is They Hunger. Set in the Appalachian Mountains, several groups of strangers come face to face along the rapids with unadulterated evil. It’s a very sleek twist on the vampire mythology and must be pretty damn good for me to recommend, because like most grown ups, I’m pretty sick of vampires. 
The vampires in They Hunger, thankfully, are mindless, merciless beasts driven solely by a need to feed. And feed they must! The great turn here is that the “helpless” human prey in their sights may have darker souls than the creatures gobbling them up like popcorn. You have an abortion clinic bomber who thinks he’s a prophet, a failed FBI agent, a drug addicted Native American, a complete A-hole jock and a whole host of fully formed, damaged individuals. It’s up to you, the reader, to decide who is truly evil : the flawed prey who have the ability to choose between right and wrong, or the hell bent hunters who have only one mission in life.
They Hunger is a great read, as are all of Scott Nicholson’s books. Also highly recommended are The Harvest and The Home. You can’t go wrong. Check out his website for a full listing of his work. If you have a Nook or Kindle, you can start reading in minutes!
Joining the Horror Writer’s Association Made Easier
When it comes to writer’s organizations, there are those who are natural born joiners and others who prefer to be the lone wolf. In my experience, there is no right or wrong here. (I made my first professional sale without being a member of an organization and without an agent, but I do know the tremendous value in each.)
For those interested in joining the HWA (Horror Writer’s Association), there is good news. It seems that they have made joining much, much easier. In years past, you needed solid professional sales in order to be a member. This is all well and good, but it did block out those who really needed the invaluable tools and contacts that membership provides. I’ve been a member in the past and plan on signing up again this year.
The key is to make the most of your experience. Volunteer, join in discussions, carefully read the information posted. Most of all, give as much as you get. The HWA represents a pretty impressive fraternity of horror professionals.
If this is your kind of thing, click here to read more about membership requirements.




