Ah, the dog days of summer are here. Time to beat the heat, or bask in it, and head to beaches and pools and sunny climes.
But us horror hounds know, even an innocent getaway can turn deadly in a flash (or perhaps, a slash?). For those of you loading your family into planes trains and automobiles between now and Labor Day weekend, here are 10 scary flicks you can show the kiddies to make your vacation a little more interesting. Click the movie poster to each to view the trailer. Might wanna bar that flimsy hotel door with a chair and have a weapon on hand….
10. MOUNTAIN TOP MOTEL MASSACRE
I haven’t watched this since renting it on VHS back in the 80s, but how could I not include it on the list? If you have motel or hotel in the title, you win!
Now, you wouldn’t catch me ever staying in hostel. Not because I’m worried about being kidnapped and killed. More like I don’t want to be trapped in a tiny room smelling stranger’s farts all night. Howver, if you’re traveling through Europe on the cheap, beware!
Not my favorite King movie adaptation (or the only one on this list), but 1408 is a wild ride. I also love that John Cusack is a writer who pens true haunting books. Could be a glimpse of my future.
I think of this one every time I pass by a seedy roadside motel. A real nail biter that stars the lovely Kate Beckinsale. Frank Whaley as the motel front desk asshole is so icky, I can never look at him the same.
6. PUPPET MASTER : THE LITTLEST REICH
The latest addition to this long running franchise is by far the best. When a bunch of people go to a convention, the puppets go absolutely wild. If you haven’t seen this yet, do so now and thank me later (with beer).
5. THE DEVIL’S REJECTS
Rob Zombie’s best (and I’m looking forward to the sequel), this is the nastiest motel you will ever see. Raw, foul and unwavering. This does make you think, WTF is wrong with RZ? His posse is in full effect here, from Ken Foree to Sid Haig and of course, Sherry Moon.
I can’t make this list without the godfather of motel horror. This is the slasher that started it all. A brilliant film that makes up in mystery and tension what it lacks in blood and body count. And that music! Go get ’em, Norman!
3. THE INNKEEPERS
I adore this movie. An old Massachusetts inn is about to close for good, and the last two workers on shift are out to prove the ghosts in its walls are real. And what an ending. Just like Psycho, it’s also blessed with a magnificent score.
2. MOTEL HELL
We all know it takes all kinds of critters to make Farmer Vincent’s fritters. One of the best cannibal movies ever made (next to Texas Chainsaw Massacre), you’ll laugh as much as you’re cringe. Sausage anyone?
- THE SHINING
Many moons ago, Stephen King went on a little vacation, staying at an empty, sprawling hotel in Colorado. It spawned the greatest ghost story ever told. The Shining may not be an exact retelling of his book, but that doesn’t dull the shine of Kubrick’s masterpiece. Who wants to walk the maze with me? The top 3 movies all share one thing – amazing music that still sends shivers down my spine.
Now that I’ve survived the move and am settling into the new lair, it’s time to get back to readin’ and writin’. To that end, I’m 50 pages into my next novel for Flame Tree Press, titled MISFITS. I just finished writing the latest chapter early this morning. Brutal stuff, believe me.
But the book that I devoured like a starving man at a crab boil was CLAWS by Russell James and published by Severed Press, the king of monster adventure. I’m here to tell you that CLAWS is my definitive, best beach read of the summer!
I mean, look at that cover. Remind you of anything? 🙂 CLAWS has all of the B movie, chomp-stomping action I want in a page turning yarn while I sit under the hot sun. Russell James has knocked it out of the park and deep into the Atlantic Ocean with this one. I can’t recommend it enough, though I am trying. As we colorfully say in my neighborhood, this is the motherfucking shit.
About the book :
National Park Service Rangers Kathy West and Nathan Toland are the only ones stationed at Fort Jefferson, a restored Civil War fort sixty miles off Key West, Florida. Two overnight campers go missing, but before the rangers can investigate, shady Homeland Security agent Glen Larsson arrives to close the park due to a purportedly imminent red tide.
Things quickly escalate out of control when mercenaries arrive to back up Larsson and imprison the rangers. Larsson’s plan is to free a cast of giant crabs to overrun the park, and then Florida beyond.
It’s up to Kathy and Nathan to escape the fort, and then, with the help of an old Coast Guard vet and a scientist with inside knowledge of the plot, to save millions of innocents from rampaging giant crabs. But Larsson’s evil plan has been decades in the making, and the crabs seem indestructible. It will take courage, teamwork, and perhaps the ultimate sacrifice, to avert disaster.
Now stop wasting time reading blogs, liking Instagram pics and trying to find a one night stand on Tinder and buy Claws now!
Howdy Hellions! Who’s ready for a book giveaway? I need y’all to help get the word out about GHOST MINE and I’m happy to send out some mighty fine rewards. How does a signed hardcover of GHOST MINE sound to ya?
So, here’s how it works. Hop on over to my Twitter account and retweet the pinned tweet I have for GHOST MINE (here’s what it looks like) :
I’ll pick 4 random retweeters to win a signed hardcover. The only catch is that you have to live in the U.S. Never fear, I’ll have an upcoming giveaway for all you non-U.S. Hellions. Contest ends on Friday, June 21.
Ok then, time to saddle up and mosey on down to Twitter. Good luck!
After a minor delay, GHOST MINE is only two weeks away. Formerly known as Hell Hole, my little weird western has just about everything you can imagine within its pages. Cowboys, Teddy Roosevelt, Rough Riders, ghost towns, abandoned mines, a love story, mystery, Bigfoot, Black-Eyes kids, ghosts, demons and so much more.
I haven’t written anything like it before or since. What was the inspiration behind this bizarre tale? I opened up about reasons why I chose to head west over at DARK READS . Check it out to get a little behind the scenes insight into how many books come to be.
Those of you who know me know I’m not a vampire guy. I leave that for my comrade in Monster Men arms, Jack Campisi. But when I was asked to write an essay about an offbeat vampire movie, I was actually excited. My initial thought was to wax poetic about The Hunger, starring David Bowie and Susan Sarandon. Alas, someone had already taken it. (By the way, some other vampire movies I dig are Rabid, Near Dark and Let The Right One In)
Luckily, no one had snagged my actual vamp favorite, The Vampire Lovers, starring the lovely Ingrid Pitt. I recently took my daughter to see it in 35MM at the Alamo and she loved it, too. Chip off the old beast.
Well, if you’re a lover of vampires in cinema, you’ll definitely want to check out STRANGE BLOOD.
STRANGE BLOOD contains my ‘insightful’ essay on The Vampire Lovers and 70 other off the beaten track vampire flicks. Here’s a little on the book:
This is an overview of the most offbeat and underrated vampire movies spanning nine decades and 23 countries.
Strange Blood encompasses well-known hits as well as obscurities that differ from your standard fang fare by turning genre conventions on their head. Here, vampires come in the form of cars, pets, aliens, mechanical objects, gorillas, or floating heads. And when they do look like a demonic monster or an aristocratic Count or Countess, they break the mold in terms of imagery, style, or setting. Leading horror writers, filmmakers, actors, distributors, academics, and programmers present their favorite vampire films through in-depth essays, providing background information, analysis, and trivia regarding the various films. Some of these stories are hilarious, some are terrifying, some are touching, and some are just plain weird. Not all of these movies line up with the critical consensus, yet they have one thing in common: they are unlike anything you’ve ever seen in the world of vampires. Just when you thought that the children of the night had become a tired trope, it turns out they have quite a diverse inventory after all.
That synopsis have your blood running? Then pick up Strange Blood today!
Like my wife, I’m sure you Hellions need a break from me from time to time. Put your hands together and give a warm welcome for author JG Faherty and by all means, pick up a copy of his latest book, Houses of the Unholy.
I thought long and hard about what to write for my guest post. And I decided rather than talk about what scares me, or why I wrote a certain book, or why does everyone love zombies (or vampires, or clown-faced killers), I would write about what I hope for from the things I write. Most horror writers will say they want to scare their readers, or entertain them, or perhaps maybe even make them think about this social or political issue. And that’s all true to a degree.
But for me, there’s something else.
What I like to write are stories that make you uncomfortable.
There are a lot of ways to do that. You can hit readers over the head with buckets of gore and you can sneak up behind them and give them a jump scare. Keep them at the edge of their seat with non-stop action or be so subtle they don’t even know they’re scared until later that night while they’re lying in bed with the lights off and still thinking about that certain scene in the story.
A lot of horror writers tend to stay within a specific sub-genre. Zombies. Splatter. Extreme. Weird. Vampires. Werewolves. Kaiju. Ghosts. Torture Porn. Suspense. You name it, there’s someone specializing in it. And that’s great. All of us have different tastes, and that shapes what we like to read and what writers like to write.
I’m a little different. I guess you could call me a throwback. I’ve never stayed within the lines of a certain sub-genre, or even a genre at all, unless you consider the broad descriptor of dark fiction. I primarily write horror, but sometimes it drifts into the areas of weird fiction, thrillers, fantasy, and science fiction. I’ve written about supernatural creatures, haunted houses, serial killers, and zombies.
As a child, I discovered horror by reading Poe, Shelley, and Stoker. But I also devoured The Hardy Boys, Jules Verne, HG Wells, and Ray Bradbury. I watched all the classic Universal monster movies but I also never missed the reruns of the sci-fi classics from the 1950s: Them!, The Day the Earth Stood Still, Forbidden Planet, The Blob. As I got a little older, I learned many of the movies were made from books, so I read the books, too. In my teens, I discovered gore. Faces of Death, I Spit on Your Grave, Motel Hell, Evil Dead, and so many others. In college, I read every horror novel and short story anthology to hit the bookstores, from King and Koontz and Straub to Garton, Skipp, Spector, and McCammon. I went back and ‘discovered’ the authors I’d missed as a kid. Manly Wade Wellman, Karl Edward Wagner. And I also still read sci fi (Alan Dean Foster, James Bliss, Heinlein, etc.).
Over time, as a reader, I came to know what I liked and what I didn’t. When I got to my thirties, I no longer cared for splatter or torture porn. I preferred books that had complex plots, that ratcheted up the suspense chapter after chapter, that sent shivers up your spine because you didn’t know what was going to happen next.
And, when I started writing, I stayed true to that form.
It’s easy to go for the gross out, for the quick disembowelment, the body tossed in the wood chipper. Something like that might make you flinch, or gag. But for me, that kind of scene never stayed with you, and often it ended up more silly than scary.
I wanted to write things that make people keep the lights on at night, not laugh about how someone’s intestines got used to hang their mother.
So I’ve always stuck to the plan that I have no plan. If the story in my head calls for no blood, then there’s no blood. If it calls for buckets, then there are buckets. As long as it’s necessary for the plot. I veer away from the gratuitous, the unnecessary. When it comes to gore, a little can go a long way. I won’t skip on the zombie eating its victim’s organs, I just won’t spend 3 pages describing it. A few sentences ought to suffice, and then let the readers’ imaginations do the rest.
With all that in mind, when it came time to do my latest collection of short stories, Houses of the Unholy, I wanted it to run the gamut from violent to comic, from supernatural to all-too-real, and from straight horror to those places in between genres.
Most of my stories do tend to be ‘classic’ horror; there’s something supernatural, somewhere. It might be the major point of the story or a subplot, but it’s there. Beyond that, I like to think there’s something for everyone here, whatever you happen to enjoy.
I hope that, like the younger me, you’ll read broadly, and maybe discover something new. Something that sends a shiver up your spine and keeps you awake at night.
Something that disturbs your peace of mind.
A life-long resident of New York’s haunted Hudson Valley, JG Faherty has been a finalist for both the Bram Stoker Award® (The Cure, Ghosts of Coronado Bay) and ITW Thriller Award (The Burning Time), and he is the author of 6 novels, 9 novellas, and more than 60 short stories. His latest collection, Houses of the Unholy, is available now, and it includes a new novella, December Soul. His next novel, Hellrider, comes out in August of 2019. He grew up enthralled with the horror movies and books of the 1950s, 60, 70s, and 80s, which explains a lot. Follow him at http://www.twitter.com/jgfaherty, http://www.facebook.com/jgfaherty, http://www.jgfaherty.com, and http://jgfaherty-blog.blogspot.com/