Top 13 Horror Movies of 2018
Well, well, well, here we are again, nursing our New Year’s hangovers, making plans to go to the gym and opening up that new Dilbert desk calendar (and man, do I miss The Far Side calendars). 2018 had me very nervous, my dear Hellions. For a while there, I didn’t think there would be enough worthy movies to make it to the unholy top 13 list. Last year wasn’t the strongest year for horror movies, but there are some damn fine flicks to enjoy. So, take my paw and let’s travel back in time…
#13 – SATAN’S SLAVES
Talk about a last minute entry! I literally watched this right after I had finalized my list because I heard it was on Shudder. It’s not very often I get to tout an Indonesian horror flick. Not to be confused with Satan’s Slave (1976), this horrific ghost/Satanic cult foray into primo jump scares is tense, atmospheric and crazy terrifying. The English subtitles are in need of another pass by a translator, but you can enjoy it without them. It’s that creepy. * Editor’s note, this movie knocked The First Purge off the list. Sorry Staten Island.
#12 – THOROUGHBREDS
What’s a top 13 list without an entry that involves Anya Taylor Joy (The Witch, Split)? Thoroughbreds just skirts the horror line, but damn is it twisted fun. Lily (Anya) is a rich brat who hates her step-dad and lacks empathy. Amanda (Olivia Cooke from the amazing Bates Motel) is her old friend, an automaton born without the ability to feel emotions who once stabbed her beloved horse to death. These two chicks are fucking nuts in all the best ways. Great performances all around, and it’s also Anton Yelchin’s last movie before his tragic demise. Watch it and pour a little libation on the floor for Anton.
#11 – HALLOWEEN
I was very excited to see what the folks at Blumhouse would do with a franchise that had seen better days (but had yet to fall into the pit of Hellraiser inanity). I LOVE the original. It’s one of those pivotal movies in my horror education. I dig part 3 and 4 and could do without all the rest. And Rob Zombie’s attempt? Let’s move on. Anyway, this is a direct sequel to the original, asking us all to forget the others happened (did Bobby Ewing just step out of the shower?). Poor Laurie Strode is still traumatized by the babysitter massacre. Now a grandma channeling Sarah Connor, she’s just waiting for Mikey to get out of max so she can finish him off. Luckily for her, a pair of podcasters are just the hokey patsies to reenergize the unkillable killer. It was better than the sequels, but for me, fell flat in some areas that could have made it amazing. When it was over, my first thought was – I hope this is the actual end. I think if I had tempered my expectations, I would have liked it even more. Ignore me. It’s a solid horror movie.
#10 – TERRIFIED
We’re going international again, this time to Argentina for some bat crap insane multiple hauntings. Terrified has THE scariest and most disturbing imagery of the year. There isn’t just one haunted house on this idyllic Buenos Aires street. No, there are three, and shit is gonna get crazy. From rotting dead boys who come back home for milk and cookies and something sinister and hungry in a kitchen cabinet sucking the blood from a wounded hand, this is one of the craziest ghost movies I’ve seen in a long while. If you have a kid afraid of monsters under the bed, DO NOT let them see this. You’ll be carting them off to a looney bin if you do. I hear they’re remaking it for an American audience with the same director. I hope they don’t lose the mojo.
#9 – VERONICA
OK, now we’re off to Spain for a disturbing possession movie that, in my opinion, trumps The Exorcist. Teenager Veronica plays with a Ouija board during an eclipse and done gets her soul repossessed. Here’s the cool part. It’s based on an actual Ouija/possession case in Madrid back in 1991, so that always adds to the icicles up the spine vibe. I fell in love with Veronica, a teen with way too much responsibility who just wanted to be a dumb kid for a fateful moment. With scary nuns and devilish disasters and well executed jump scares, you’ll steer your ass away from spirits boards for life after this puppy.
#8 – TERRIFIER
Art the Clown is the scariest motherfucker who ever donned greasepaint. Taking place on Halloween night and mostly in an abandoned building, Terrifier channels the best of 80’s gore with spectacular kills and some true WTF moments. I’m no fan of clown horror flicks and thought this would be just like all the rest. Crap, was I wrong. Seriously, when Art smiles that bloody-mouthed smile, your genitals will crawl up to your esophagus. No blood is spared and please, oh please, let there be a world with more Art the Clown!
#7 – THE RITUAL
This was an early entry from our pals at Netflix. Based on a novel by Adam Neville, this British don’t-go-in-the-woods descent into terror centers around five buddies who have had their share of tragedy. Honoring their friend’s last wishes, they get to hiking in the middle of freaking nowhere in Sweden. When the weather gets bad, they find shelter in a rickety cabin and so, so much more. We’re taking hallucinatory images that may be real, bones in trees, a village of the freaking damned and a mythical monster. The creature effects in The Ritual are unforgettable. This is destined to be a movie I revisit time and time again. And yet another import from a far off land.
#6 – THE STRANGERS – PREY AT NIGHT
Did I have any high hopes for a follow up to The Strangers? Hell no! I took Hellion #2 and my mother to see it at a matinee so I didn’t have to pay full price. Well, I’m here eating my hat. In some ways, I liked this better than the first. Loved the 80s music (you will never hear Total Eclipse of the Heart and not think of the swimming pool) and it has two scenes that I think are damn close to legendary. Killer cast meets masked killers. What’s not to love? Unlike the first, this is one I have to own.
#5 – HEREDITARY
Kudos to releasing a ‘mainstream’ movie with more what-the-hell-am-I-watching moments than you can shake a machete at. Toni Collette gives the performance of the year as a woman cracking up as her family falls apart. Mom dies. Uber stranger daughter gets the James Dean treatment, son loses it and hubby just tries to make dinner and keep their shit together. This is basically two movies. The first three quarters has a The Shining aura about it with a gradual buildup and breakdown. Collette physically reminds me of Shelly Duvall and their mental collapses are just as similar and moving. There is a moment when a switch is flipped (you’ll know it) and it’s time to fasten your seatbelts. The ending is not for everyone, hence a lot of confused and angry people in my theater. Good. Stay out of my genre!
#4 – PUPPET MASTER – THE LITTLEST REICH
Yeah, I’m just as surprised as you that this is not only on my list, but in the top 5! I mean, it definitely has the most ridiculous title of the year. And it’s a fucking Puppet Master movie. It’s also the one movie I can’t stop thinking and talking about. Why? Well, it’s written by the amazing S. Craig Zahler (who has given us Bone Tomahawk and Brawl in Cell Block 99). ‘Nuff said. Witty, self-aware and loaded with unique kills, nudity and gore, it’s everything previous Puppet Master movies are not. If you ever wanted to see a dead guy pee on his own head in a toilet bowl, look no further. And it has cameos by Barbara Crampton and Udo Kier. Hot damn, this was the most fun I had watching a movie all year.
#3 – REVENGE
I’m not a big fan of the rape/revenge subgenre, though I do like the trio of I Spit On Your Grave remakes. Revenge is made with such artful direction, it stands head and improvised weapons above the rest. Matilda Anna Ingird Lutz has herself a real star turn as Jen, a young wanna be messing around with a married man in his sweet desert house. When his two creepy friends crash the party for a day of hunting, the raping begins and the blood flows. And let me tell you, the amount of blood shed in this flick is epic. Jen bleeds more than ten stuck pigs. It’s over the top and goes a little Machete every now and then, and that’s perfect. The final sequence running in circles around the house is gag inducing and brilliant. The bar is now set and I dare someone to raise it.
#2 – OVERLORD
Thank you, JJ Abrams! Overlord is not one, but two great movies. If you like war flicks, this is your jam. If you’re a horror hound, ditto. If you’re like me and dig both, holy Hannah is this awesome. American GI’s have their plane shot down over a Nazi occupied town in France and need to take out a tower so Normandy can happen. No pressure. The shit that happens in the plane in the opening sequence had me breathless. I know it’s no shock that those creepy ass Nazis have been up to their old weird science shenanigans again. What ensues is pure chaos, savage monsters, explosions and gunfire. I could easily slide this into the number one slot. In fact, this and the next movie have been jockeying back and forth for months now. I’m sure a year or two, I might declare this the winner. But for now, we’ll call it 1B…or 2.
#1 – A QUIET PLACE
Jim Halpert, who knew you had this in you? A Quiet Place is, quite simply, brilliant. The world has been taken over by creatures from another world. They may be blind, but they can hear your every move. It opens with a stunning gut punch and ratchets up the tension like a torture rack for the next 90+ minutes. I’ve literally never been so uptight in a movie theater. I had to have my ass cheeks surgically separated. With a small but stellar cast, A Quiet Place is an instant classic. Especially for a guy like me who is obsessed with alien/horror movies (The Thing, Alien, Signs). This takes a familiar trope and adds a spin that makes it unforgettable. Like It Follows, this is one of those movies that will be the measuring stick by which I judge a person’s character. A sequel is already in the works, following a new band of survivors. I doubt it can equal this, but I’m in.
HONORABLE MENTION
Here are the other movies that were in contention and just missed the cut:
CAM, MANDY, STEPHANIE, APOSTLE & GHOST STORIES
And my nod to the stinker of the year is THE MEG. Just like 2017’s dreadful THE MUMMY, The Meg was so bad, my blood pressure spiked and I wanted to tear the screen in half – or take a nap, which I settled for.
You made it this far. Let me know what you think of my choices and their ranking. What do you think I missed? What movie on the list do you think is a stone cold stinker? Most importantly, what movies are you looking forward to in 2019?
Guest Author Catherine Cavendish Dishes On Revenge And Her Latest Book – Dark Avenging Angel
It’s an honor to host one of my favorite Samhain authors, Catherine Cavendish. Her previous book, The Pendle Curse, blew me away. I can’t wait to dive into her latest, Dark Avenging Angel. It’s so special that I’m saving it for my annual #Horrortober reading list, where I settle in with the best the genre has to offer for the month of October. Patience, my boy, patience!
So please sit back, dim the lights and let Catherine do her best to shiver your timbers…
The Avenging Goddesses
My latest novella – Dark Avenging Angel – is, as its title suggests, concerned with revenge. In this case, revenge of the most demonic kind. We’ve all heard the old adage, “Be careful what you wish for…” Jane learns the truth of this in graphic ways.
Avenging angels and demons abound in the traditions and folklore of people all over the world. From ancient Greek and Roman legend, we have the three sisters of vengeance known variously as The Furies or The Erinyes.
Though they are known by different names, their characteristics are essentially the same. The Erinyes avenged crimes against the natural order of things, so were particularly keen to avenge murder – especially where that murder occurred within a family. Anyone committing the sin of patricide or matricide could expect to find the curse of the Erinyes visited upon them in the form of a tormenting madness, illness and/or disease, and any nation providing shelter to such a criminal could find the wrath of the Erinyes visited on them too. Pestilence, hunger and disease would all follow.
The sisters’ vengeance did not stop at killing their victim. They would continue their torment long after death, until finally the sinner would show remorse for his crime.
Their particular desire to see murder within families avenged probably stemmed from their own origins. The Erinyes were created when the Titan – Cronos – tore off the genitalia of his father, Uranus, and flung it into the sea. From the blood, the three sisters were formed.
The avenging goddesses were also servants of Hades and Persephone in the underworld, where they oversaw the torture of those criminals doomed forever to dwell in the Dungeons of the Damned.
In appearance, the Erinyes were appalling to look at. They had burning breath and poisonous blood dripped from their eyes. Instead of hair, their heads were wreathed with serpents, rather like Medusa. Serpents also entwined around their arms and waists. They are often depicted as winged and clothed in either long black mourning robes or the short skirts and boots of huntresses. They wielded whips.
Anyone unfortunate enough to incur the wrath of the Erinyes would have a near-impossible task of fending them off. The only way would be to perform rites of ritual purification and some task assigned to them for the purposes of atonement.
Now, to give you a taste of Dark Avenging Angel, here’s the blurb:
Don’t hurt Jane. You may live to regret it.
Bullied by her abusive father, Jane always felt different. Then the lonely child found a friend in a mysterious dark lady who offers her protection—a lady she calls her “angel”. But that protection carries a terrible price, one to be paid with the souls of those Jane chooses to suffer a hideous and eternal fate.
When Jane refuses to name another victim, the angel reveals her most terrifying side. Payment must be made in full—one way or the other.
And here’s a brief extract:
Something had woken me from a deep sleep troubled by my recurring nightmare in which I was in a wood, being chased by some unimaginable horror. I never saw its face, assuming it even had one. But I knew if I didn’t find sanctuary, it would kill me. I had just made it into the strange little house that always appeared in the clearing, when my eyes opened and I gasped at the white, smiling face looking down at me.
That night, my angel seemed different somehow.
Oh, she looked the same. Same black cloak, but this time it shimmered and I wanted to touch it. I was sure it would feel soft as velvet under my fingers.
She put her finger to her lips and stroked my hair. Her touch was like a gentle breeze in summertime. My eyes wanted to close, but I forced them to stay open.
I knew I mustn’t speak out loud, but I could still whisper. “I wish I knew your name. Who are you? Please will you tell me?”
She continued to smile. Her lips moved, but the answering voice I heard was again in my head.
Do not be afraid, child. It is not yet time, but soon you will have the power to avenge yourself on those who have done you harm. Look for me in the shadows and I will be there, taking account.
I understood nothing of what she said. But, from somewhere, a calm I had never felt before emerged and wrapped itself around me.
I blinked in the darkness as she faded from sight.
Then I closed my eyes and slept. I never had that nightmare again after that night. But what if I’d known what was ahead for me?
Some things are better off left in the dark.
You can find Dark Avenging Angel here:
About the author:
Following a varied career in sales, advertising and career guidance, Cat is now the full time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. She was the 2013 joint winner of the Samhain Gothic Horror Anthology Competition, with Linden Manor, which features in the anthology What Waits in the Shadows. Her novels, The Pendle Curse and Saving Grace Devine are also published by Samhain. Her latest novella – Dark Avenging Angel – will be followed by her next novel – The Devil’s Serenade – in April 2016
You can connect with Cat here:
Hunter Shea 