I’m a pretty lucky guy. Kristopher Rufty is not only my friend, he’s also one of my favorite authors. We share a publisher and an agent, so he can’t shake me even if he wants to. Last year, he floored me with Jagger and Bigfoot Beach. He’s already kicking off 2016 with a new book from Samhain, Desolation. The cover it flipping awesome, and I know the contents will be even better.
Today I hand the wheel over to Krist as he takes you on Desolation’s journey. Ever wondered where writers get their ideas? Well, Hellions, read on. And don’t forget to enter the giveaway at the end of the post. He’s giving away the store. Man, I gotta up my giveaway game.
Highway to Desolation
Desolation has been around for ten years. That’s a long time for an idea to be brewing. But when it was first conceived, it was meant to be my first attempt at writing a novel, but then it was changed into a script that I thought could be shot for a very low budget during a very short shooting schedule. I still think so, actually.
The original idea came to me in a dream. Is that laughter I hear? I’m being serious! In this dream I had way back in 2006, I was watching a movie. The scene that was transpiring on my dream screen was the opening: a man trapped in a car, his injured wife bleeding profusely beside him. He kicks his way out of the car, wanting to find his son. A strange man appears, seemingly out of nowhere, to help him search. As they look, the DVD begins skipping. I didn’t get to see what happened, for the movie jumped ahead several scenes to show me an intruder invading somebody’s home, armed with a crowbar, and using the tool to bash heads. I tried to figure out who was in the home, who the intruder was, and was becoming increasingly frustrated because I had no idea what was going on.
Then I woke up.
It was just after three in the morning, and I was now wide awake. I smoked cigarettes back then and snuck outside to have one. It was the middle of winter, and I was standing on our porch, shivering as I replayed those scenes over and over in my head. I wondered what had caused the accident at the beginning, and why, obviously later in the dream movie, was somebody invading someone’s home.
Before I had finished smoking the cigarette, the entire premise had come together: A man, horribly wronged by another man. This man who caused so much harm is not a bad man. He’s a good person at heart, though he’s made many mistakes and this wrong is something that is felt not only by him, or the other man, but by their families. I wanted it clear that Grant is not evil; he’s not vindictive, though he’s used to getting his way. He’s just a guy, somebody that messed up. But I also wanted it be clear that Dennis is also a good person, driven to deplorable actions by Grant’s mistake.
That premise has stuck with me for a long time. In the original script, I wrote it as a straightforward exploitation-style horror movie. At one point, David Hess (of Last House on the Left fame) had agreed to play Grant and possibly write the music, with Trent Haaga set to play Dennis. The script floated around for years, with many people being attached on as actors, producers, composers, and FX artists.
It came back to me in 2013 for the last time. I decided to just put it in the drawer and leave it be.
A year or so later, I told my agent about the idea. She liked it a lot and told me not to forget about it. I didn’t. With the idea fresh in my brain again, I reread the script, cringing a bit. I still really liked the premise, but not the execution. I thought, If I were to rewrite this, I think this needs to be changed, and this, and this…”
Then another idea hit. I remembered after my father passed away, somebody suggested I write him letters. Just take a blank notebook and write him a letter every day until I felt I didn’t need to do that anymore. They said it would help me in my grieving. I tried. I hated it. It seemed to make me hurt worse, knowing he’d never read them.
And I stopped writing them.
But the idea I had was this: What if Dennis is writing letters to his deceased wife and as we read them, we see his mental wall chipping away a piece at a time. While this is happening, Grant is off trying to take his already crumbled existence, and plaster it all back together. Then the two worlds collide and complete chaos happens.
I had to write the book.
Took ten years, but I finally wrote the novel that I had originally hoped would have been my debut. I’m glad I did not try to write this book all those years ago. And even with the years of disappointment from the movie not being made, I’m very relieved it wasn’t. Had it been, this book would have never been written.
ISBN: 978-1-619233-09-6 Trade Paperback (List: $15.95)
There’s no escaping your past. Especially when it wants revenge.
Grant Marlowe hoped taking his family to their mountain cabin for Christmas would reunite them after his alcoholic past had torn them apart, but it only puts them into a life and death struggle. On Christmas Eve, a stranger from Grant’s past invades the vacation home and takes his wife and children hostage. His agenda is simple—make Grant suffer the same torment that Grant’s drunken antics have caused him. Now Grant must confront his demons head on and fight for his family’s lives. Because this man has nothing left to lose. The only thing keeping him alive is misery—Grant’s misery.
Biography, Kristopher Rufty
Kristopher Rufty lives in North Carolina with his wife, three children, and the zoo they call their pets. He’s written various books, including The Vampire of Plainfield, Jagger, The Lurkers, The Lurking Season, The Skin Show, Pillowface, Proud Parents, and more, plus a slew of horror screenplays. He has also written and directed the independent horror films Psycho Holocaust, Rags, and Wicked Wood. If he goes more than two days without writing, he becomes very irritable and hard to be around, which is why he’s sent to his desk without supper often.
Praise for Kristopher Rufty
“Kristopher Rufty is the demented reincarnation of Richard Laymon!” –Jeff Strand
“A Dark Autumn is a wild gender role reversal of ‘I Spit On Your Grave,’ with gonzo nods to Norman Bates and ‘Friday The 13th’ thrown in for good measure. Kristopher Rufty delivers the goods yet again.” –Bryan Smith, author of Kayla Undead and The Late Night Horror Show
“A creepy, gripping tale of horror. And it’s got one of the best death scenes I’ve read in a long time!” –Jeff Strand, author of Pressure and Dweller
“A powerhouse debut novel. Rufty’s prose will suck you in and hold you prisoner!” –Ronald Malfi, author of Floating Staircase and Snow
“An occult thriller with a new twist. Rufty juggles captivating characters, breakneck suspense, and insidious horror in a macabre story that will leave you feeling possessed by the end of it. Next time you think about taking that old Ouija board out…forget it!” –Edward Lee, author of Lucifer’s Lottery and City Infernal
Barnes & Noble
We have a lot of books to giveaway from Krist! We have two audio books, Oak Hollow and Pillowface in one link. In the second link we have a signed print copy of The Lurking Season and two e-books, Vampire of Plainfield and Bigfoot Beach. Winners are chosen random via rafflecopter and are given choice of prize of order pulled. Any questions on raffle, please e-mail Erin Al-Mehairi, publicist, at firstname.lastname@example.org
Link for audio book giveaway:
Link for print/e-book giveaway: