This isn’t me crapping on MFA (a Master of Fine Arts) degrees or everyone who has worked hard to get one. I know quite a few damn good people who have one they can add to their resume. This is about elitism and misguided entitlement. You can expand this from the microcosm of writing to all things great and small in our society.
For years, I’ve heard select MFA holders put down writers who they believe don’t possess such a degree, referring to them as hacks or worse. To them, only he or she who wears the MFA crown has the necessary skills to put words to paper. The rest of us are here to be dazzled by their command of the English language and storytelling prowess. I came across such a troll recently who lambasted my writing on Goodreads, basically saying I didn’t have the skills to be a good writer because it was apparent I never received the proper education to do the very thing I’ve been working at for over a decade. I read it and laughed, then looked up their name to find their writing credits. I wasn’t surprised to find zippo. (By the way, I’m a college graduate who never scored less than a 90 in English my entire life.)
Truth be told, the review didn’t make me angry. My skin is thicker than an elephant’s hide. If you’re going to do this for a living, you can’t let the bad or even the good reviews get to your head. What does make my blood boil is when I see a trend that deeply hurts earnest, honest writers.
An MFA degree doesn’t make you a writer, just as going to astronaut camp doesn’t qualify you for a stint on the ISS. In many cases, an MFA degree does put you in some serious debt, hoping to strike it rich in an industry that is pretty darn parsimonious when it comes to paychecks. As an author friend once said, better to learn a trade and be a fucking plumber.
I learned all I needed to know about becoming a writer from a chance meeting with the great Elmore Leonard. It was the late 90s and I was at a two day writers conference in New York City. I’d spent money I didn’t have to be there, hoping to learn from those who had scaled the mountain. I was in a classroom, sitting in the back because I had a hard time finding it and was almost late. A famous thriller author was giving a talk about the publishing process, but it was really an examination of the neurosis of a writer who never felt as if his stuff was good enough.
A small, older man sat next to me during the class. At one point, he leaned over and asked if I’d spent a lot of money to be there. I gave a quick answer, wishing he’d leave me be. He then said, “You see all these people? None of them will ever be writers. Don’t waste your money. You really want to be a writer?” Slightly annoyed, I said, “Of course.”
He said, “Then go home. Read a ton. Then write a ton. That’s all there is to it.”
I thanked him for the advice and shifted my attention back to the real author in the front of the room. When the class ended, the old man shuffled out and I headed for the next session. When lunch came, I grabbed a table by the podium, chatting with a world famous bestseller. Imagine my surprise when they brought that older man up to be the key speaker. It was Elmore Leonard!
I realized in that moment that I’d just gotten invaluable wisdom from a man who’d published more books than every writer at the conference combined. Who the hell was I not to listen to him? I vowed that day to never attend a writing conference. I was already a voracious reader, but I stepped up my writing game. Read a ton. Write a ton. I could do this.
And I did. As have so many others, all without the benefit of an MFA. You don’t need any high falutin’ qualifications to be a writer, other than a command of your native language, imagination, and limitless passion. I don’t care what degrees you have and don’t have, and neither do editors. Tell a damn good story they think will sell.
If you think your MFA makes you a better writer than someone who gets paid to write and publishes book after book, it’s time to dispel yourself of that delusion. That degree, especially if you’re not writing and publishing, is worth as much as the paper it was printed on. You are not entitled to a damn thing. You need to earn it. That means get off your high horse and get down in the mud and muck and write. Then go bust your hump finding someone to publish your work. Stop criticizing those who have accomplished the very thing that inspired you to get that degree. You are not the elite. You’re just a regular person who spent more on school.
Over the years, I’ve found that writers rarely criticize other writers because we all share the same story, the same grind. We not only know how the sausage is made – our hands are in it day after day. So next time you want to use your MFA to tear down another person, take a good, hard look at yourself and like most opinions, keep it to yourself. Writing is a great equalizer. You’d know it if you did it.
The new year, with all its resolutions, is just a few weeks away. I’m going to tick one of my resolutions off the list right now with this announcement that I’m starting an editing and writing coach business. If your goal is to have a completed manuscript or get published in 2018, we can kick some resolution butt together.
Writing is a lonely endeavor. Writers need support and encouragement (along with a stiff drink every now and then). Getting to THE END isn’t always easy. Neither is polishing that manuscript into a diamond. All successful writers have a stable of people with critical eyes dissecting their work well before you ever see it in print.
The big question is, why me? Well, aside from having written and traditionally published over 20 books in the past decade, I’ve also been senior editor for a trade magazine, have coached and edited several books for struggling authors and secured their first book deals.
I may have railed against the nuns in school who drilled grammar, spelling, reading, and writing into my thick head, but I thank them now. And so can you.
So, what kind of services am I offering?
- Setting goals and accountability to meet them
- Sounding board for ideas and turning them into action plans
- Feedback and editing
- Deciding whether to publish traditionally or self-publishing
- Agent and publisher searches
- Writing query letters
- Building author platforms across social media and blogs
- Creating fresh and consistent content
- Creating mail lists and vital newsletters
- Finding reviewers
- Curating sources of inspiration to keep you writing
If your goal is to become a working writer, you want help from someone who’s not only been there and done that, but is still doing it. My advice and expertise is current, which is vital in publishing since it has changed dramatically over the past five years alone!
Ready to take that next step? Let’s do it together. Contact me at email@example.com for a free 30 minute consultation and let’s make those writing dreams come true.
Ever since I decided to become a writer, I’ve dreamed about what it would be like to pursue my passion full time. If I can write 2-3 books a year while juggling a day job, how much could I get done if I had all day to write?
Well, that day has come. After a divorce with the old day job a month ago, I became a full time writer, though without the full time pay. The adjustment of working for 30 years and suddenly not working took some time getting used to. So, what did I do to get through it?
I wrote. Writing has always been my private island, the perfect escape, the place where reality never gets past the bouncer. As the shock wore off, the time I devoted to writing increased. I actually looked at this as a needed break so I can devote proper attention to the slew of projects I had agreed to take on.
Now it’s time to reflect. After a month, what have I accomplished? Well, I have 3 novellas that I was scheduled to write for an as yet unnamed publisher later this summer. Now that I had time, I set my ass down to start the first. Draft #1 was completed in two weeks. It’s now resting in my laptop. You need to give your story and yourself time to breathe before jumping in to the editing process. Or at least I do. Rewrites start in a few days.
At the same time, I started working on my next monster book for Severed Press. I have about 10,000 words to go before I can type THE END on draft #1 of that puppy. I figure that’ll be done around July 7th.
Then my family and I head to house-sit for a friend up in the country where I’ll finally finish the novel I started last fall, WE ARE ALWAYS WATCHING. There are literally just a couple of chapters to go, then I have to do a ton of rewrites because the story kept changing as it went along. This is a dark one. No monsters. Nothing paranormal. Just people at their strangest and worst on a Pennsylvania farm.
After that, I have a special project I’m going to write and self-publish, followed by the other two novellas I’m still contracted to write this year. And Lord only knows what else I’ll agree to along the way. Let’s just say this chapter in my life will be marked with a boom in my creative output.
I’m also catching up on my TBR pile and getting new books from the library every 3 days. I’ve decided to re-read everything Hemingway for the rest of the summer. Then there’s more time to spend with my family at independent league baseball games, movies and swimming at the pools and beaches nearby. My old day job actually gave me a gift – my first summer off since I graduated high school! I don’t plan to waste it.
For my moolah, Norman Prentiss is one of the best writers out there in Author Land. And I don’t just mean the horror genre. He’s publishing his latest book via the Kindle Scout, a path I know plenty of people are interested in. Check out why and how it all works. And then hop over to the KS page, read his excerpt and vote!
I’ve got a new book that I’m very proud of, ODD ADVENTURES WITH YOUR OTHER FATHER, and it’s currently on view at Amazon as part of the Kindle Scout program: https://kindlescout.amazon.com/p/31CCF08HMHST3
Kindle Scout is unusual, because it allows readers to preview a book that’s not yet selected for publication. Authors supply a cover image, description and bio., and a 5,000 word excerpt, and then reader “nominations” help the book garner attention from Amazon. The program begins as a kind of popularity contest, measuring web traffic over a period of 30 days to gauge reader interest and a book’s marketability; however, the ultimate decision lies with Amazon (high-traffic books have been rejected; average-traffic books have gotten a contract).
Now that I’m posting a book at Kindle Scout, a few folks are asking me why I didn’t work with the horror specialty press, where I’ve had previous success (Cemetery Dance, Dark Fuse, PS Publishing, and Thunderstorm). Why go the Kindle Scout route for this one?
Well, I’ve been shopping this book around, and have gotten a lot of very positive feedback–but one of the key comments was that it fit too many categories. It’s kind of a “queer pulp roadtrip adventure,” with horror and fantasy elements. As an added wrinkle, the adult-themed adventures are surrounded by a frame tale that’s kind of YA in style: a coming-of-age story as a daughter attempts to understand her fathers’ past. On one level I think it’s my most mainstream book, likely to appeal to people outside horror because of its social themes and, ultimately, the emotional content of the book’s overall effect. At the same time, it might be, to repeat a word in the title, too ODD for mainstream. Writing it (I realize now), I was aiming for something like a “cult-movie” type of readership.
How does a book like this find its audience? One strategy, I guess, would be to publish it modestly and hope people find it eventually (maybe in a few years…or even decades, when I might not around to know it!). But if the book doesn’t fit the usual categories, then an unusual or new-fangled path to publication might be exactly the right way to go.
Another important factor in my decision is that ODD ADVENTURES WITH YOUR OTHER FATHER is different from my other stories, to the point where I briefly considered publishing it under a pseudonym. It’s maybe a little sexier, even a little more fun (pulp instead of literary in places) than my other work. The queer themes set this book apart from some of my other fiction, as well–the adventures explore homophobia in a supernatural context. Ultimately, though, the book is still ME, and I want my name on the cover. So instead of the pseudonym route, I thought a different publishing path could help distinguish this book (and the two following titles I’ve planned for the series) from things like INVISIBLE FENCES, my Dr. Sibley stories, or THE FLESHLESS MAN.
No matter what path this book follows to publication, I think my horror fans will dig ODD ADVENTURES WITH YOUR OTHER FATHER. It’s definitely got some chills and unsettling scenes, and monsters all the way through. And I’m hoping a lot of new readers find me through the Kindle Scout campaign.
In the meantime, please consider giving me a boost by checking out the excerpt from this book at Kindle Scout (https://kindlescout.amazon.com/p/31CCF08HMHST3), and nominate it if you find it worthy. I’m happy with the excerpt, and can promise that the whole book has a lot more surprises in store. And if Amazon chooses to publish it, they’ll provide a free advance copy of the full eBook to folks who nominated it!