Tag Archive | writing advice

Disturbing the Peace of Mind – Guest Post by JG Faherty

Like my wife, I’m sure you Hellions need a break from me from time to time. Put your hands together and give a warm welcome for author JG Faherty and by all means, pick up a copy of his latest book, Houses of the Unholy.


I thought long and hard about what to write for my guest post. And I decided rather than talk about what scares me, or why I wrote a certain book, or why does everyone love zombies (or vampires, or clown-faced killers), I would write about what I hope for from the things I write. Most horror writers will say they want to scare their readers, or entertain them, or perhaps maybe even make them think about this social or political issue. And that’s all true to a degree.

But for me, there’s something else.

What I like to write are stories that make you uncomfortable.

There are a lot of ways to do that. You can hit readers over the head with buckets of gore and you can sneak up behind them and give them a jump scare. Keep them at the edge of their seat with non-stop action or be so subtle they don’t even know they’re scared until later that night while they’re lying in bed with the lights off and still thinking about that certain scene in the story.

A lot of horror writers tend to stay within a specific sub-genre. Zombies. Splatter. Extreme. Weird. Vampires. Werewolves. Kaiju. Ghosts. Torture Porn. Suspense. You name it, there’s someone specializing in it. And that’s great. All of us have different tastes, and that shapes what we like to read and what writers like to write.

I’m a little different. I guess you could call me a throwback. I’ve never stayed within the lines of a certain sub-genre, or even a genre at all, unless you consider the broad descriptor of dark fiction. I primarily write horror, but sometimes it drifts into the areas of weird fiction, thrillers, fantasy, and science fiction. I’ve written about supernatural creatures, haunted houses, serial killers, and zombies.

As a child, I discovered horror by reading Poe, Shelley, and Stoker. But I also devoured The Hardy Boys, Jules Verne, HG Wells, and Ray Bradbury. I watched all the classic Universal monster movies but I also never missed the reruns of the sci-fi classics from the 1950s: Them!, The Day the Earth Stood Still, Forbidden Planet, The Blob. As I got a little older, I learned many of the movies were made from books, so I read the books, too. In my teens, I discovered gore. Faces of Death, I Spit on Your Grave, Motel Hell, Evil Dead, and so many others. In college, I read every horror novel and short story anthology to hit the bookstores, from King and Koontz and Straub to Garton, Skipp, Spector, and McCammon. I went back and ‘discovered’ the authors I’d missed as a kid. Manly Wade Wellman, Karl Edward Wagner. And I also still read sci fi (Alan Dean Foster, James Bliss, Heinlein, etc.).

Over time, as a reader, I came to know what I liked and what I didn’t. When I got to my thirties, I no longer cared for splatter or torture porn. I preferred books that had complex plots, that ratcheted up the suspense chapter after chapter, that sent shivers up your spine because you didn’t know what was going to happen next.

And, when I started writing, I stayed true to that form.

It’s easy to go for the gross out, for the quick disembowelment, the body tossed in the wood chipper. Something like that might make you flinch, or gag. But for me, that kind of scene never stayed with you, and often it ended up more silly than scary.

I wanted to write things that make people keep the lights on at night, not laugh about how someone’s intestines got used to hang their mother.

So I’ve always stuck to the plan that I have no plan. If the story in my head calls for no blood, then there’s no blood. If it calls for buckets, then there are buckets. As long as it’s necessary for the plot. I veer away from the gratuitous, the unnecessary. When it comes to gore, a little can go a long way. I won’t skip on the zombie eating its victim’s organs, I just won’t spend 3 pages describing it. A few sentences ought to suffice, and then let the readers’ imaginations do the rest.

With all that in mind, when it came time to do my latest collection of short stories, Houses of the Unholy, I wanted it to run the gamut from violent to comic, from supernatural to all-too-real, and from straight horror to those places in between genres.

Most of my stories do tend to be ‘classic’ horror; there’s something supernatural, somewhere. It might be the major point of the story or a subplot, but it’s there. Beyond that, I like to think there’s something for everyone here, whatever you happen to enjoy.

I hope that, like the younger me, you’ll read broadly, and maybe discover something new. Something that sends a shiver up your spine and keeps you awake at night.

Something that disturbs your peace of mind.

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A life-long resident of New York’s haunted Hudson Valley, JG Faherty has been a finalist for both the Bram Stoker Award® (The Cure, Ghosts of Coronado Bay) and ITW Thriller Award (The Burning Time), and he is the author of 6 novels, 9 novellas, and more than 60 short stories. His latest collection, Houses of the Unholy, is available now, and it includes a new novella, December Soul. His next novel, Hellrider, comes out in August of 2019. He grew up enthralled with the horror movies and books of the 1950s, 60, 70s, and 80s, which explains a lot. Follow him at http://www.twitter.com/jgfaherty, http://www.facebook.com/jgfaherty, http://www.jgfaherty.com, and http://jgfaherty-blog.blogspot.com/

Hanging With Author, Director and Actor Terry M. West

Terry M. West is living the dream. Or at least my dream. My horror dreams. He’s done just about everything within the horror genre and has a hell of a lot of war stories under his belt. I first came to know him a few years ago, thanks to the magic of social media. We formed an instant mutual appreciation society. I was thrilled to provide the forward to his book, GRUESOME: A GATHERING OF NIGHTMARES.

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We had talked for some time about having him on Monster Men, but life and scheduling always got in the way. Despite some technical issues at the start, we finally made it happen! Terry talks about directing Caroline Munro, horror cons and an incredible secret about his start in writing. We did not see that coming. Check out our interview with an all around awesome guy below…

 

And when you’re done, check out his bestselling story, CAR NEX. Now if you’ll excuse me, I have to figure out how to steal Terry’s wicked cool office.

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Fu** Your MFA

This isn’t me crapping on MFA (a Master of Fine Arts) degrees or everyone who has worked hard to get one. I know quite a few damn good people who have one they can add to their resume. This is about elitism and misguided entitlement. You can expand this from the microcosm of writing to all things great and small in our society.

For years, I’ve heard select MFA holders put down writers who they believe don’t possess such a degree, referring to them as hacks or worse. To them, only he or she who wears the MFA crown has the necessary skills to put words to paper. The rest of us are here to be dazzled by their command of the English language and storytelling prowess. I came across such a troll recently who lambasted my writing on Goodreads, basically saying I didn’t have the skills to be a good writer because it was apparent I never received the proper education to do the very thing I’ve been working at for over a decade. I read it and laughed, then looked up their name to find their writing credits. I wasn’t surprised to find zippo. (By the way, I’m a college graduate who never scored less than a 90 in English my entire life.)

Truth be told, the review didn’t make me angry. My skin is thicker than an elephant’s hide. If you’re going to do this for a living, you can’t let the bad or even the good reviews get to your head. What does make my blood boil is when I see a trend that deeply hurts earnest, honest writers.

An MFA degree doesn’t make you a writer, just as going to astronaut camp doesn’t qualify you for a stint on the ISS. In many cases, an MFA degree does put you in some serious debt, hoping to strike it rich in an industry that is pretty darn parsimonious when it comes to paychecks. As an author friend once said, better to learn a trade and be a fucking plumber.

I learned all I needed to know about becoming a writer from a chance meeting with the great Elmore Leonard. It was the late 90s and I was at a two day writers conference in New York City. I’d spent money I didn’t have to be there, hoping to learn from those who had scaled the mountain. I was in a classroom, sitting in the back because I had a hard time finding it and was almost late. A famous thriller author was giving a talk about the publishing process, but it was really an examination of the neurosis of a writer who never felt as if his stuff was good enough.

A small, older man sat next to me during the class. At one point, he leaned over and asked if I’d spent a lot of money to be there. I gave a quick answer, wishing he’d leave me be. He then said, “You see all these people? None of them will ever be writers. Don’t waste your money. You really want to be a writer?” Slightly annoyed, I said, “Of course.”

He said, “Then go home. Read a ton. Then write a ton. That’s all there is to it.”

I thanked him for the advice and shifted my attention back to the real author in the front of the room. When the class ended, the old man shuffled out and I headed for the next session. When lunch came, I grabbed a table by the podium, chatting with a world famous bestseller. Imagine my surprise when they brought that older man up to be the key speaker. It was Elmore Leonard!

I realized in that moment that I’d just gotten invaluable wisdom from a man who’d published more books than every writer at the conference combined. Who the hell was I not to listen to him? I vowed that day to never attend a writing conference. I was already a voracious reader, but I stepped up my writing game. Read a ton. Write a ton. I could do this.

And I did. As have so many others, all without the benefit of an MFA. You don’t need any high falutin’ qualifications to be a writer, other than a command of your native language, imagination, and limitless passion. I don’t care what degrees you have and don’t have, and neither do editors. Tell a damn good story they think will sell.

If you think your MFA makes you a better writer than someone who gets paid to write and publishes book after book, it’s time to dispel yourself of that delusion. That degree, especially if you’re not writing and publishing, is worth as much as the paper it was printed on. You are not entitled to a damn thing. You need to earn it. That means get off your high horse and get down in the mud and muck and write. Then go bust your hump finding someone to publish your work. Stop criticizing those who have accomplished the very thing that inspired you to get that degree. You are not the elite. You’re just a regular person who spent more on school.

Over the years, I’ve found that writers rarely criticize other writers because we all share the same story, the same grind. We not only know how the sausage is made – our hands are in it day after day. So next time you want to use your MFA to tear down another person, take a good, hard look at yourself and like most opinions, keep it to yourself. Writing is a great equalizer. You’d know it if you did it.

The Hustle of Balancing Life, Work and Writing

It’s Sunday morning at 9:00 and I’m already tired. But no matter how tired I feel, this old man is not taking a nap. I’ll be going at it full force until my head hits the pillow. Why? Because I want to…and maybe a lot of ‘because I have to’.

I may have written and published over 25 books, but that doesn’t mean I get to coast. No way. Not until Stephen King and I can trade investment secrets. Writing, or better yet finding time to do it, hasn’t gotten any easier. Like most scribblers, I have a day job. At age 50, I embarked on a totally new career, shucking 20 years of experience and clout to do something I would enjoy. The day job takes up about 11-12 hours of my day, Tuesday through Saturday. It’s mentally and physically demanding. People half my age bail when the going gets rough here. Oh, and I get to work on Saturdays for the first time since I was a stock boy in Gristedes supermarket back in 1990. Yay me for missing out on a lot of fun.

Because I get home later than ever now, I had to adjust when I write. Fortunately for me, my ability to sleep in was broken long ago by my children (who are now adults). So instead of writing a night, which I did for almost two decades, I’ve had to retrain myself to become an early morning writer. It wasn’t easy, but I knew if I didn’t push myself, I would miss every deadline, both professional and personal. And I had to learn to write in bed so as not to clunk around the house and disturb everyone.

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On workdays, I wake up, write and answer emails and do a little marketing for two hours. Then it’s time to get ready for work and head off to my one hour commute.

What about weekends? Take today for an example. It’s a gray Sunday, my first day off. What do I do? Wake up at 5:30am. I watched an episode of Mars on National Geographic because I want to write about the series. I then read for thirty minutes, a little for pleasure and a little for work. The sink was full of dishes so I cleaned them and started a load of laundry. I cleaned the bathroom and saw the toaster oven was in need of some TLC, too. We’re (finally!) shooting new episodes of Monster Men today, so I put together a list of things to do for one of the episodes. Now it’s time to write on the old blog and chain, get in at least 1,000 words on my new book, SLASH, and prep the house, aka – the set – for Monster Men. We’ll record for several hours, watch a movie and then I’ll be hosting a live viewing party of THANKSKILLING with my special hellions on Patreon. By the time that’s over, I’ll be in bed, dead to the world until tomorrow before dawn.

Within all of this craziness, I’ll be with my family, the most important people in my life. Those of you who follow this blog know my wife is disabled. When I was writing CREATURE, she was sick with pneumonia. Cut to a year and three months later and she’s still not over it. In fact, we’re waiting for the CDC to deliver special medication formulated just for her, as her compromised immune system just can’t do the work it needs to do. Being with her and my girls is crucial, which is another reason why I write when they’re asleep. When I get home from work, it’s dark out and I’m tired as hell. Better to spend that time recharging the love battery by hanging out with them.

I can attest, spinning these plates does not get easier as you get older. Some days, it sucks. It sucks real hard. But I love my family and I love writing, and heck, I even like my job, so for me, there is no other choice. Whenever I’m about to bitch and whine about doing something I hate or dread doing, I think of this : If I was laid up in a hospital bed right now and unable to ever be healthy or get up again, I’d trade everything for a chance to do that thing I think I don’t want to do. Would I rather go food shopping in a packed supermarket than have terminal cancer? If the answer is shit yeah, it’s time to shut up and tarry on.

Despite all of this, don’t feel like you have to tackle the world each and every day. Carve out time, even if it’s only ten minutes, to recharge. Meditate, read, do air guitar in your car to Metallica, make a dump cake. Find your zen. Watching the laundry spin is a personal favorite. Kinda like watching the flames dance in a fire.

I have big ideas and projects for 2019, as I’m sure you do as well. Now’s the perfect time to plan and figure out how to make them happen, and the best time to do so. It ain’t easy. But neither is Sister Mary Margaret Bernadette. There is one vital thing that nun knows how to do – get into a habit.

What new habits or changes to existing ones do you need to hit your goals? What is the one thing you want to accomplish in the next year? What are you major stumbling blocks? We can kick some ass if we decide to kick it together. Spill the beans right here, tell the world and make yourself accountable. It does wonders.

Top 10 Ways To Increase Your Writing Productivity

As I struggle today with getting my butt in gear to hit my own writing goal, I thought, why not share some of the things that have helped me write 24 books over the past 7 years? No one ever said writing is easy. Okay, this guy I call Three Chins said it once, but he’s full of beans. So, Three Chins, this one is not for you.

10. READ – Yeah, yeah, yeah, I know reading isn’t writing, but it is essential. I’ve said it time and time again. You cannot be a writer if you’re not an avid reader. The act of reading both educates and inspires. You might come across a book and declare with your fist raised above your head, “I can write better than that!” Renew your love of the written word every day and your need to create will follow.

9. TURN OFF YOUR WIFI – If you write on a laptop or computer, disable your wifi the moment you sit down to write. Doing that will prevent you from falling down time suck rabbit holes like checking Facebook or reading the latest rant against Trump. All of that mindless chatter is a distraction, and you need to avoid distractions. I do recommend that you go old school and have print copies of a dictionary and thesaurus on hand. The online versions are great, but then again, you need wifi to access them.

8. LOOK AWAY FROM THE TV! – There is no bigger time suck than television. Whether it’s network programming, Netflix, Hulu or Amazon Prime, you need to limit the hours spent melting your brain. This is a tough one, especially now with so many quality shows turning up almost daily. Sorry, you’re not going to be able to watch all of them. Pick and choose, and make sure your TV time doesn’t gobble up your writing time. Baseball season is especially hard for me. If I had my way, I’d watch every Mets game. But my desire to be a writer far outweighs my need to let the Mets both elevate and crush my dreams.

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7. MAKE  YOURSELF ACCOUNTABLE – How do you do this? Tell everyone that you’re going to be a writer come hell or high water. Have a good friend who will put the screws to you if they see you veering away from your declared ambition. Now that you’ve declared your goal to everyone around you, the pressure is on. As Woody Harrelson says in Zombieland, “It’s time to nut up or shut up.”

6. SET WORD COUNT GOALS – Writers judge their progress by word count, not number of pages. So why not set a daily word count in your mind? A typical novel is 90,000 words. If you made it a point to write 1,000 words a day, your first draft will be done in three months.If 1,000 words seems too lofty, cut it in half. The key is to have a fixed word target. I know that life sometimes gets in the way and most people can’t write every day. So take your daily number and multiply it by seven for your weekly number. That way, if you miss a day or two, you know exactly how many extra words you need to pump out on the days you do write to hit your weekly quota.

5. LEAVE YOUR PHONE IN ANOTHER ROOM – I never, ever have my phone nearby when I sit down to write. It’s too easy to pick it up and get lost in messages and calls and apps. We’ve become little Pavlov’s dogs, instantly responding to every ding and chime our phones produce to let us know there’s something waiting to tear our attention away from our writing. Put that sucker in silent mode and leave it in a closet in the room down the hall. It’ll be there when you’re done. Plus, it’s good for the body, mind and soul to unplug for a while each day.

4. FIND YOUR BEST TIME TO WRITE – No two biorhythms are the same. My creative peak most likely won’t be close to yours. Experiment by writing at different times in the day to find your sweet spot. I remember hearing John Grisham talk about how he wrote at five in the morning before he had to go to court. I used to think I could never function that early. At the time, I was a seven PM writer. Well, cut to a decade later, and I’m now a six am writer. Your creative peaks change as you age, so if suddenly your noon schedule isn’t working, switch it up.

3. SET A DEADLINE – This ties in nicely with point 6 and 7. If you’re a first time writer, you’re not going to have an editor’s deadline hanging over your head. That doesn’t mean you shouldn’t have one. Set a deadline in stone. Write the date on a sticky note and paste it where you write. Tell everyone the date. Fixate on that date. If it gives you night sweats, good. Nothing inspires a writer more than a deadline. Tailor your word count goals so you can meet your deadline head-on.

2. HAVE MORE THAN ONE PROJECT TO WORK ON – Tackling a spy novel set in Bulgaria? Try your hand at romance novella or a series of articles on bee keeping. Create projects that match your experience or interests, or take on something new and challenging. You should always work on multiple projects. Why? Some days, that spy novel is going to hit a wall. You need your subconscious to work things out so you can go through or around that wall. To do that, you need to focus on something else, something completely different. That’s when you set to working on your side project. I guarantee, when you sit down the next day, you’ll be ready to jump back into your spy novel. Heck, that’s why I wrote this blog post! **Here’s a pro tip – If your first book lands a publishing deal, the next thing an editor will ask is, “So, what else do you have?” Don’t stand there with your mouth open. Tell your editor all about the other novel you’ve been working on (or if you’ve been really productive, send them the finished manuscript). Having more than one book in hand puts you head and shoulders above the competition.

1. DRIVE – Ernest Hemingway famously advised would be writers to Never think about the story when you’re not working. Remember what I said about your subconscious working things out for you? That soft and silent part of your brain is where everything comes from. You need to let it do its thing. The best way to do that is to drive. Get behind the wheel and let your conscious mind worry about getting from here to there. Most of my big aha moments have hit me in the car. I used to keep a voice recorder in the car so I could dictate the gold nuggets my subconscious allowed to float to the top. Now I use the app in my phone. If you don’t drive, walk. There’s something about being in motion that encourages ideas to generate. Just remember, while driving or walking, don’t think about your work in progress. Concentrate on not hitting that hybrid car in front of you or the scenery in the park you’re ambling about. Believe me, the rest will come to you.

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The 4 Keys to Writing Success

I used to say there were 2 central keys to becoming a writer, with a lot of little caveats that add up to a big ball of wax. But without those 2 keys, you can’t unlock the door to publishing. In fact, I wrote a whole book about it and how to get published.

I was just sitting in my car waiting for traffic to unsnarl when it hit me that there are actually 4 keys to writing. The other keys were always there, just not in the forefront of my mind and advice.

“Dude, why do you keep prattling on about keys? Are you a valet or locksmith?”

Valid point.

I’ve been many things (and called many more), but those professions have so far eluded me.

What are these keys? Let’s dive right in. I’ll start with my first 2 tried and true.

READ – I’ll keep preaching this until I’m blue in the face and my tongue falls out of my mouth. You cannot expect to become a writer if you’re not a reader. It’s the equivalent of saying you want to be a baker but you have never tasted a baked good or know what goes into them. Every book you read, and you should read a wide and varied lot, is a vital part of your education and maturation as a writer. You’ll learn the art of writing and storytelling both consciously and subconsciously. I read over 100 books a year and still feel as if I’ve come up short. Read every chance you get. Read great writing. Read bad writing. Read shampoo bottles and fine print. Just read.

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WRITE – Pretty self-explanatory. You can talk the talk, but eventually, you need to walk the walk. Or, more accurately, sit the sit. If you’ve found a way to walk and write, call me so I can learn from a master. Writers have to write, either to satisfy their inner need to write or an impatient editor. You have to get the words all the way to THE END. Then you have to go back and edit and polish and submit.

Once you’re done with one project, start the next. Or do several at once. Remember, ABW – Always Be Writing. That’s not to say you can’t have days where you goof off or fall down the Netflix rabbit hole. That’s life. But you have to make writing a priority.

SUPPORT – Writing is a very solitary experience. It’s not natural. You can spend years toiling away, missing out on family events, trips, parties, never knowing if anyone will ever read, or better yet, buy your work. There are times you’ll feel like giving up. That’s where you need to have someone at your back. It can be a spouse, friend, fellow struggling writer, established writer who has become your mentor, even a stranger on a train who for some reason believes in you, writer dude.

Your support team needs to be there to run interference so you can concentrate on writing, pick you up when you’re down, and be honest with you when you need feedback. It’s a tough role for someone to fill, but absolutely necessary. I’ve been lucky. My wife has fully supported my dream from the start, even when it looked like I was spinning my wheels for nothing. She told me to never give up. I didn’t. I even tattooed it on my arm as a constant reminder. Find your rock, and avoid others who want to derail your efforts or mock you for even trying like the plague they are.

TALENT – I’ve read a lot of books on writing/publishing, and not many come right out and say you need talent to make a go of this. I don’t believe that if you lock a bunch of monkeys in a room with laptops that they will eventually write Shakespeare. I think you’ll get an eternity of monkey gibberish.

Talent is hard to define and impossible to create from thin air. You can fine tune and polish your talent (because it will be in very raw form at the start), but you can’t make it magically appear. You either got it or you don’t. That’s where your support system comes in. If they’re truly honest and good, they will tell you if your book is worth its weight in ink and paper.

Elicit the opinions of others that you trust and get their feedback. Hire a professional editor who will be blunt and impartial. Compare your writing to others in the genre. I know we writers can be poor judges of our own writing, but doing a little side by side can shed light on whether or not you’ve got the chops. So, feel free to tattoo Never Give Up if you have the talent. If you don’t, it’s perfectly fine to give up and find where your talents lie.

 

There you have it, my updated and revised 4 keys to writing. If you took the time to read this whole post, you can check off key #1 for the day. Now get back in your chair and start writing. I’ll be waiting for you at the finish line.

Loglines to the Rescue – Writing Aid

Elevator pitches are for more than just trying to sell a completed work. They’re also handier than a pocket on a shirt for boiling down the essence of your story, pointing you toward the heart of your tale.

Crafting the perfect elevator pitch isn’t easy. I mean, how can you boil a 100,000 word book into a single sentence (or at most, two sentences)? Better yet, you’re standing at the foot of your next big project with all these loose threads bandying about your brain. What magic incantation do you devise to make sense of it all?

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I have to give huge props to one of my editors who pointed me to an article by professional screenwriter Noam Kroll. He gives a step by step process for writing what is called a logline for your story. Now for him, he was talking about screenplays, but you can use it for anything. It’s given me laser focus for several projects I’ve been working on, and has also dramatically improved my ability to convey new ideas to my editors. Loglines eliminate all of the hemming and hawing and cut to the heart of your story.

They’re not simple to write, but with practice, you’ll soon be a master. And you’ll wonder how you wrote without them.

To read Noam’s article, click here.

Now nail that logline down and get to writing!

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