The Lords of Salem : Rob Zombie Gone Wild
I’ve been a fan of Rob Zombie ever since I heard Thunder Kiss ’65 back in the grunge days of 1992. Hell, when my girls were born, I used to rock them to sleep to White Zombie. And believe it or not, they fell asleep like little angels while he channeled Blade Runner and chanted he was More Human Than Human.
When he made his directorial debut with House of 1000 Corpses, I was the first in line. I knew the backstory in getting that movie made (Hollywood nightmare), and even though it was choppy and strange, I dug it. When he unleashed The Devil’s Rejects on the world, I knew he had arrived. That was one sick, twisted flick. And I still attest that his hillbilly horror take on the Halloween movies would be appreciated even more if they weren’t remakes of a legendary franchise.
When I first heard about The Lords of Salem, I jumped out of my skin, itching to plug myself into Zombie’s distorted view on witches in Salem. It stars, of course, his wife, Sheri Moon Zombie, as a Salem DJ called Heidi who shares the airwaves with Dawn of the Dead’s own Ken Foree and Jeff Daniel Phillips (who could double for Rob Zombie). One of the things I love most about Zombie is his knowledge of the horror and 70’s exploitation genres and devotion to the stars who helped build them. This time around, he employs Dee Wallace (The Howling, The Hills Have Eyes), Judy Geeson (It Happened One Night) and Patricia Quinn (The Rocky Horror Picture Show) as a trio of sisters with something nefarious on their minds. It also stars Meg Foster as a beyond filthy, evil witch from centuries past. I met her last year at a horror con and thought she was the sweetest person on earth. I couldn’t believe what I saw on the screen was the same woman!
Here’s the premise : A mysterious vinyl album shows up at the radio station one night. When it’s played on the air, various women around Salem become entranced, having visions of pornographic witchly ceremonies in the 1600s. There’s a strong tie between Heidi and the man responsible for the Salem With Trials and the girl is about to go on an acid trip through hell to find out what it all means.
I came ouf of The Lords of Salem with my head spinning. The imagery here is graphic high-strangeness, and at times, unsettling. It has a very 70’s B movie pastiche and will leave you feeling like you just double-downed on acid.
At times, the narrative felt a little disjointed and Sheri Moon’s performance, finally not playing a murderous psychotic or stripper, is a little better than I thought it would be, but not strong enough to give her character the gravitas it needed. It’s not a scary movie, per se, but it does provide enough fuel for many nightmares to come. If a Rob Zombie song could weave itself to life, this is exactly what it would look and sound like.
I think most people are going to have a hard time wrapping their heads around this one. It’s great for me, but too odd for normal folk. And that’s just fine. The day Rob Zombie makes a movie for the masses, ala crap like Scream or I Know What You Did Last Summer, I’m catching the next comet to the far reaches of space. Humanity will have lost all meaning for me.
You need to go into it not expecting it to be a major feature cranked out by the Hollywood hit – I mean schlock – machine. Picture yourself in the back of a car at a dirty drive-in and enjoy.
Think I’ll have to go to the city to see this. Not playing in my neck of the woods. Sounds great!
I think it’s already gone here. Rob’s movies tend to do better on video.